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IndieOpera

New York Choral Society Concludes Summer Sings With Mozart’s ‘Requiem’

https://operawire.com/new-york-choral-society-concludes-summer-sings-with-mozarts-requiem/

On Wednesday, August 23, 2017, the NY Choral (New York Choral Society) ends its Summer Sings Open Readings of beloved choral masterworks. This time it will present Mozart’s famed and beloved “Requiem.” The reading will feature Music Director David Hayes with a distinguished cast of soloists. Amber Daniel will sing the soprano part while Heather Johnson will serve as the mezzo. Benjamin Warschawski {…}

Special Features

10 Must See Opera Productions Of The Fall 2017-18 Season [International]

https://operawire.com/10-must-see-opera-productions-of-the-fall-2017-18-season-international/

After showcasing a wide range of repertoire that will be showcased this fall in the United States, it’s time to look at the European theaters. With hundreds of houses around the world opening at the same time, it was challenging to put together this list. But after looking through several theaters, OperaWire has curated the must-see operas for this fall {…}

Reviews, Stage Reviews

Filarmónica de Bogotá Review 2017: Verdi’s ‘Requiem’ Gets Sublime Rendition At Teatro Municipal Jorge Eliecer Gaitán

https://operawire.com/filarmonica-de-bogota-review-2017-verdis-requiem-gets-sublime-rendition-at-teatro-municipal-jorge-eliecer-gaitan/

The Teatro Municipal Jorge Eliecer Gaitán is not among the most aesthetically pleasing of auditoriums in the city of Bogotá, Colombia. Dedicated to one of the great tragic figures in Colombian history, a man known for his support of the disenfranchised (his assassination led to one of the most prominent massacres in Colombian history), the theater is rather minimal in {…}

Reviews, Stage Reviews

Royal Opera House Review 2016-17 – Otello: Jonas Kaufmann Cements His Legacy As One of History’s Great Otellos

https://operawire.com/royal-opera-house-review-2016-17-otello-jonas-kaufmann-cements-his-legacy-as-one-of-historys-great-otellos/

Jonas Kaufmann has been hailed as the greatest tenors alive and is one of the most exciting performers currently working today. So it was no surprise that he would one day take the iconic role of Verdi’s “Otello.” There were many doubters regarding his availability (or ability) to master the role, especially after many high-profile cancellations due to illness. However, {…}

Interviews, Stage Spotlight

Q&A: Maria Agresta Talks Verdi, The Royal Opera House’s ‘Otello’ & Her Upcoming ‘Il Trovatore’ At The Met

https://operawire.com/qa-maria-agresta-talks-verdi-the-royal-opera-houses-otello-her-upcoming-il-trovatore-at-the-met/

Maria Agresta has quickly risen to fame in the opera world. She has made debuts in all the great theaters including the Metropolitan Opera, Teatro alla Scala, and Royal Opera House. She has also become the go-to soprano for the Verdi repertoire singing roles in “I Due Foscari,” “Il Trovatore,” “I Masnadieri,” “La Traviata” and “Simon Boccanegra.” This month she {…}

Artist of the Week, News

Artist Of The Week: Lianna Haroutounian Set To Conquer Hamburg State Opera In Her House Debut As ‘Madama Butterfly’

https://operawire.com/artist-of-the-week-lianna-haroutounian-set-to-conquer-hamburg-state-opera-in-her-house-debut-as-madama-butterfly/

The title role in “Madama Butterfly” is one that many sopranos, both past and present, have made their own. Lianna Haroutounian is among the artists on that list and this week she reminds audiences why as she brings her acclaimed portrayal of Cio-Cio-San to the Hamburg State Opera in her house debut. The Armenian soprano recently performed the work in San {…}

Interviews, Stage Spotlight

A Second Wind – Tenor Gregory Kunde On His Return To The U.S., His Major Career Shift & Making History

https://operawire.com/a-second-wind-gregory-kunde-on-his-return-to-the-u-s-his-major-career-shift-making-history/

Did you know that Gregory Kunde is the only tenor in the history of opera to sing both Verdi and Rossini’s “Otello” within a two-week span? In fact, only one other tenor, Roberto Stagno, sang both roles, but it took him 10 years to complete the feat. But that is ultimately what makes Kunde such a special artist. At one {…}