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Everything You Need to Know About Canadian Opera Company’s 2017-18 Season

https://operawire.com/everything-you-need-to-know-about-canadian-opera-companys-2017-18-season/

On Thursday, the Canadian Opera company has just announced its 2017-18 season which features six opera spanning from October 5, 2017 to May 26, 2018. The works selected for the new season feature mainly staples of the canonical repertoire though there is one rare work making an appearance this season. Jane Archibald is this season’s artist in residence. The announcement {…}
Reviews, Stage Reviews

Metropolitan Opera 2016-17 Review – La Bohème: This Is No Routine Production As Fabiano, Pérez & Co. Deliver Vivacity to Powerful Tragedy

https://operawire.com/metropolitan-opera-2016-17-review-la-boheme-this-is-no-routine-production-as-fabiano-perez-co-deliver-vivacity-to-powerful-tragedy/

This review is for the performance on Wednesday January 11 and is written jointly by David & Francisco Salazar. Applause rang from every corner of the Metropolitan Opera, the audience awaiting the final performer to step onstage so that she too could get her accolades. The moment Ailyn Pérez walked out of the iconic golden curtain, she was not only {…}
Reviews, Stage Reviews

Sofia Opera 2026 Review: Der Ring des Nibelungen

https://operawire.com/sofia-opera-2026-review-der-ring-des-nibelungen/

(Photo: Sofia Opera press) Sofia Opera’s annual Wagner Festival 2026 illuminates Professor and Director Plamen Kartaloff’s legacy as the pioneering initiator celebrating Wagner’s music to a high standard with creative teams and cast members of local Bulgarian artists that continues to inspire audiences today. The full production of this year’s “Der Ring des Nibelungen” featured Conductor Constantin Trinks, Set Designer {…}
News, Season Announcement

Anna Netrebko, Elīna Garanča, Benjamin Bernheim, Derek Welton, Gerald Finley, Freddie de Tommaso, Rachel Willis-Sørensen, & Piotr Beczała Lead Wiener Konzerthaus’ 2026-27 Season

https://operawire.com/anna-netrebko-elina-garanca-benjamin-bernheim-derek-welton-gerald-finley-freddie-de-tommaso-rachel-willis-sorensen-piotr-beczala-lead-wiener-konzerthaus-2026-27-season/

The Wiener Konzerthaus has announced its 2026-27 season. Here is a look at the vocal performances. VOCES8 leads a program of music by William Byrd, Virgil Thomson, Caroline Shaw, Morten Lauridsen, William Billings, Bobby McFerrin, Eric Whitacre, Taylor Scott Davis, Samuel Barber, Richard Rodgers, and Billy Strayhorn.  Performance Date: Sept. 16, 2026 The Mahler Academy Orchestra will be joined by Fleur Barron and Philipp von Steinaecker in music by Mahler. Performance {…}
News, Season Announcement

Juan Diego Flórez, Lise Davidsen, Freddie de Tommaso & Ludovic Tézier Lead Festival Cap Rocat’s 2026 Season

https://operawire.com/juan-diego-florez-lise-davidsen-freddie-de-tommaso-ludovic-tezier-lead-festival-cap-rocats-2026-season/

The Festival Cap Rocat has announced its 2026 season. Here is a look at the two vocal performances. Juan Diego Flórez and Pablo Mielgo perform alongside the Symphony Orchestra of the Balearic Islands and Festival Cap Rocat Choir. The program includes music by Rossini, Reveriano Soutullo and Juan Vert, Agustín Pérez Soriano, José Serrano, Ruperto Chapí, Jacques Offenbach, and Giuseppe Verdi. Performance Date: July 31, 2026 Lise Davidsen, Freddie de {…}
Reviews

Staatstheater Meiningen 2025-26 Review: Didone abbandonata

https://operawire.com/staatstheater-meiningen-review-2025-26-didone-abbandonata/

(Photo: Christina Iberl) The revival of Domenico Sarro’s “Didone abbandonata” (1724) at the Staatstheater Meiningen marks perhaps the first scenic production of this Neapolitan gem since its 1724 premiere in Naples.  While this staging offered a rare opportunity to witness Pietro Metastasio’s debut libretto in full staged form, there was a lingering sense that the interpretation was perhaps too cautious. {…}
Reviews, Stage Reviews

San Francisco Opera 2025-26 Review: Parsifal

https://operawire.com/san-francisco-opera-2025-26-review-parsifal/

(Photo Credit: Cory Weaver) From the magic of those first ascending B flat minor motifs, to the shimmering chromatic closure, Wagner’s final masterwork “Parsifal” casts a spell of unspeakable radiance. A spell that can fail to materialize when directorial concept goes awry. The Nov. 2nd performance of the San Francisco Opera’s new production of “Parsifal” was an orchestral triumph, and {…}
Reviews, Stage Reviews

The Atlanta Opera 2025 Review: Semele

https://operawire.com/the-atlanta-opera-2025-review-semele/

(Photo credit Raftermen Photography) The Atlanta Opera (TAO) closed their 2024-25 mainstage season with Georg Frideric Handel’s 1744 semi-oratorio, or quasi-opera, “Semele.” General Director Tomer Zvulun structured the season around art’s transnational commonplace, the Hero’s Journey. But interestingly, all four works selected also play with genre and they address the nearly unanswerable question, ‘what is opera, anyway?’ They began with {…}
Reviews, Stage Reviews

Virginia Opera 2024-25 Review: Loving v. Virginia

https://operawire.com/virginia-opera-2024-25-review-loving-v-virginia/

(Photo credit Dave Pearson Photography) During the pandemic, Virginia Opera (VO) made plans to celebrate their fiftieth season, in 2024-25, exploring potential subjects for a commission. In recent talkbacks and receptions, Artistic Director Adam Turner emphasized that the company desired a Virginia-based story for this occasion. Ultimately they settled on that of Richard and Mildred Loving, the appellants in the {…}

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