(Photo: Ruth Medjber) Irish National Opera’s production of Janacek’s “The Cunning Little Vixen” proved to be a valid, yet commonplace, sentimental, child-centered reading, which unfortunately failed to delve below the surface narrative, although this was not the intention of its director, Sophie Motley. The Director’s Ideas Fail to Translate into Practice In her program notes, Motley explained that her aim {…}