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Reviews, Stage Reviews

Toronto’s Opera Revue 2024 Review: Ruckus! At The Redwood

https://operawire.com/torontos-opera-revue-2024-review-ruckus-at-the-redwood/

(Photo credit: Ryan Harper) Opera Revue is a company made of three talented individuals: soprano Danie Friesen, baritone Alexander Hajek, and the sonic backbone of it all, pianist Elise Harris. Their mission, they say, is to introduce opera to newcomers and deliver a fresh way to experience it for veterans in a relaxed environment at an affordable price. My attitude {…}

Reviews, Stage Reviews

Wexford Festival Opera 2024 Review: Puccini – Man Of The Theatre

https://operawire.com/wexford-festival-opera-2024-review-puccini-man-of-the-theatre/

(Photo: Padraig Grant) To mark the hundredth anniversary of the death of Giacomo Puccini, the Wexford Festival Opera commissioned William Niall Morris to create a short work celebrating the composer’s life and music. The result was a short piece, lasting about an hour, entitled “Puccini: Man of the Theatre,” which essentially amounted to a selection of his greatest hits linked {…}

News

First Latin American Contemporary Opera Congress Held in Chile

https://operawire.com/first-latin-american-contemporary-opera-congress-held-in-chile/

The first Latin American Contemporary Opera Congress took place Oct. 16-17, in Chile. Organizers and composers Miguel Farías and Cristian Fernández Toro, aimed to reflect on the trajectories and approaches to opera-making in Latin America, considering creation processes, management, and research in the genre. Daily sessions featured discussion on music, aesthetics, and identity issues. The event also spent time exploring {…}

Reviews, Stage Reviews

Opéra-Théâtre de Metz Métropole 2024-25 Review: La Rondine

https://operawire.com/opera-theatre-de-metz-metropole-2024-25-review-la-rondine/

(Photo credit: Philippe Gisselbrecht) On October 4 and 6, the Metz Opera Theatre, in collaboration with the Fondazione Teatro di Piza and the Fondazione Pergolesi Spondini di Jesi, and with the support of the Italian Consulate in Metz, presented Puccini’s “La Rondine,” an interesting choice for this pocket opera whose programming has always been eclectic. All the more so as {…}

Reviews, Stage Reviews

Central City Opera 2024 Review: La Fanciulla del West

https://operawire.com/central-city-opera-2024-review-la-fanciulla-del-west/

(Photo credit: Amanda Tipton) Central City Opera (CCO) resurges in 2023-24, the institution entering the Colorado Music Hall of Fame, installing Alison Moritz as Artistic Director and bouncing back from a turbulent 2023 marked by labor strife, now buoyed by the new leadership of CEO Scott Finlay. With a reinforced endowment, CCO’s ambitious 2024 summer festival season programmed Gilbert and {…}

Reviews, Stage Reviews

The Atlanta Opera 2023-24 Review: Die Walküre

https://operawire.com/the-atlanta-opera-2023-24-review-die-walkure/

(Photo credit: Raftermen Photography) Of late, The Atlanta Opera (TAO) makes possible the nearly-impossible. In March, your reviewer summarized the robust health this company enjoys despite the current fiscal climate that shrinks arts organizations. With each gut punch to classical music lovers in the United States—the Metropolitan Opera Guild evaporating and Opera News taking the form of a brief supplement {…}

Reviews, Stage Reviews

Royal Opera House 2023-24 Review: Celebrating 22 Years of Sir Antonio Pappano

https://operawire.com/royal-opera-house-2023-24-review-celebrating-22-years-of-sir-antonio-pappano/

A truly packed house, a cast of operatic luminaries and a program of works chosen and compiled by Maestro Pappano himself; a Gala, fit for a KING, surely? Which is just as well because His Royal Highness King Charles III was in the audience as a truly surprise guest of honor, courtesy of a massive covert security operation that even {…}