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Reviews, Stage Reviews

Teatro Alla Scala 2017-18 Review – Il Pirata

https://operawire.com/teatro-alla-scala-2017-18-review-il-pirata/

Performances of Bellini’s melodrama, “Il Pirata,” at the Teatro alla Scala have, over the years, been few and far between. Originally written for the theatre in 1827, and starring the celebrated soprano, Henriette Méric-Lalande as Imogene and the famous tenor Giovanni Battista Rubini as Gualtiero, it was roundly deemed to be a success, and quickly received two revivals, one in {…}

News

Daniela Barcellona, Carlos Álvarez & Saioa Hernández Headline Teatro Regio Di Torino’s 2018-19 Season

https://operawire.com/daniela-barcellona-carlos-alvarez-saioa-hernandez-headline-teatro-regio-di-torinos-2018-19-season/

The Teatro Regio di Torino has announced its 2018-19 season with a number of Italian operas and many rising stars.  Here is a look at what the season has to offer. The season opens with Verdi’s “Il Trovatore” with two casts. Saioa Hernández and Karina Flores share the role of Leonora alongside Diego Torre and Arsen Soghomonyan who alternate the {…}

Reviews, Stage Reviews

Opéra de Lyon 2017-18 Review – Macbeth: Ivo van Hove Turns Shakespeare & Verdi Into a “Bonfire of the Vanities” Video Game

https://operawire.com/opera-de-lyon-2017-18-review-macbeth-ivo-van-hove-turns-shakespeare-verdi-into-a-bonfire-of-the-vanities-video-game/

Muttering the word “Macbeth” in a theatre is worse than hollering “Free Booze” at an AA meeting. The so-called “Macbeth curse” has existed since Shakespeare’s regicidal highland fling first appeared in 1606. Legend has it that on the opening night Lady Macbeth (played as Elizabethan/Stuart traditions demanded by a teenage boy) took method acting a bit far and dropped dead. Nowadays the {…}