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News

Obituary: President of the Paolo Grassi Foundation Franco Punzi Passes Away

https://operawire.com/obituary-president-of-the-paolo-grassi-foundation-franco-punzi-passes-away/

A dedicated member and president of the Paolo Grassi Foundation, Franco Punzi, passed away on Feb. 17 from a pre-existing illness. The Paolo Grassi Foundation organizes the Valle d’Itria festival which is coming up on its 49th year. Last season they presented Forzano’s “Delitto e castigo,” Bellini’s ‘Beatrice di Tenda,” Opera italiana” by Nicola Campogrande, and “Il Xerse” by Francesco {…}

News

Natalie Dessay, Erin Morley, Benjamin Bernheim & Varduhi Abrahamyan Lead Opéra National de Bordeaux’s 2022-23 Season

https://operawire.com/natalie-dessay-erin-morley-benjamin-bernheim-varduhi-abrahamyan-lead-opera-national-de-bordeauxs-2022-23-season/

The Opéra National de Bordeaux has announced its 2022-23 season featuring opera, ballet, concert, and great voices. Opera Paul Daniel conducts Puccini’s “Madama Butterfly” with Yoshi Oïda directing. Karah Son, Virginie Verrez, Riccardo Massi, and André Heyboer. Performance Dates: Nov. 10-21, 2022 Roberto González-Monjas conducts Mozart’s Requiem in a production by Stéphane Braunschweig. The cast includes Hélène Carpentier, Fleur Barron, {…}

News

Regula Mühlemann, Diana Damrau, Karita Mattila, & Christian Gerhaher Lead Wigmore Hall’s 2022-23 Autumn Season

https://operawire.com/regula-muhlemann-diana-damrau-karita-mattila-christian-gerhaher-lead-wigmore-halls-2022-23-autumn-season/

Wigmore Hall has announced details for its Autumn 2022 season. Here is a look at the vocal performances. Regula Mühlemann soprano and La Folia Barockorchester open the season with Cleopatra featuring music by Hasse, Vivaldi, Legrenzi, Graun, and Händel. Performance Date: Sept. 8, 2022 Elizabeth Llewellyn and Simon Lepper perform a program of music by Coleridge-Taylor, G Mahler and Strauss. {…}

IndieOpera

Gotham Early Music Scene to Present Open Gates Project Concert

https://operawire.com/gotham-early-music-scene-to-present-open-gates-project-concert/

Gotham Early Music Scene (GEMS) will present “C3: Countertenors, a Consort, & Continuo” as part of its inaugural season of Open Gates Project. The concert will take place on Feb. 11, 2022 at 7 pm at Holt Trinity Lutheran Church in Manhattan. The performance will also be live-streamed. The program features countertenors Biraj Barkakaty, Wei En Chan, Patrick Dailey, Iván {…}

Reviews, Stage Reviews

Teatro alla Scala 2020-21 Review: La Calisto

https://operawire.com/teatro-alla-scala-2020-21-review-la-calisto/

(Credit: Brescia e Amisano, Teatro alla Scala) In the last few years, Teatro alla Scala has committed to reviving masterpieces of the early Italian repertoire. On Oct. 30, 2021, the company presented, for the first time in its 243-year history, Francesco Cavalli’s (1602-1676) “La Calisto” (1651). Of Cavalli’s 41 operas, “La Calisto” is the only one to have found a {…}

Behind the Scenes, Interviews

Reviving San Cassiano – Paul Atkin Discusses his Plan to Rebuild the World’s First Public Opera House (Part 1)

https://operawire.com/rebuilding-san-cassiano-paul-atkin-discusses-his-plan-to-revive-the-worlds-first-public-opera-house-part-1/

The year 1637 saw one of operatic history’s defining moments: Venice’s San Cassiano theatre, the world’s first public opera house, opened its doors to the paying public for the first time for a performance of “L’Andromeda” by Francesco Manelli to a text by Benedetto Ferrari. Anyone who could afford the price of a ticket could attend. Opera had escaped the {…}

DVD and CD Reviews, Reviews

CD Review: Marco Angioloni ‘Il Canto Della Nutrice’

https://operawire.com/cd-review-marco-angioloni-il-canto-della-nutrice/

(Photo: Benoit Auguste) Marco Angioloni is a young Italian tenor currently living in Paris. After graduating as an oboist from the Conservatorio Di Musica ‘Luigi Cherubini’ Firenze in Florence, Angioloni switched to singing and joined the Centre de Musique Baroque de Versailles in France. Since then he has performed on stages across Europe, tending to specialise in the baroque repertoire. {…}