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Ermonela Jaho, Julia Bullock, Huw Montague Rendall, Corinne Winters, Marina Rebeka Headline Festival d’Aix-en-Provence 2024

https://operawire.com/ermonela-jaho-julia-bullock-huw-montague-rendall-corinne-winters-marina-rebeka-headline-festival-daix-en-provence-2024/

The Festival d’Aix-en-Provence has announced its 2024 slate. Here is a rundown of the vocal and operatic works on offer. First up is “Iphigénie en Aulide” and Iphigénie en Tauride,” presented as a double bill. The Gluck operas will feature Corinne Winters in the title role of both works. In “Aulide,” she is joined by Russell Braun, Véronique Gens, Alasdair {…}
Reviews, Stage Reviews

Festival d’Aix-en-Provence 2023 Review: Così Fan Tutte

https://operawire.com/festival-daix-en-provence-2023-review-cosi-fan-tutte/

Photo: © Monika Rittershaus “Così Fan Tutte” has become the most uncomfortable of the three Mozart-Da Ponte operas. “Le Nozze di Figaro” has secured itself as a revolutionary and anti-establishment opera. “Don Giovanni” is unavoidable and unforgettable. “Così,” on the other hand, struggled to find its public for most of the nineteenth century. Its plot is often seen as both {…}
Reviews, Stage Reviews

Festival d’Aix-en-Provence 2023 Review: The Threepenny Opera

https://operawire.com/festival-daix-en-provence-2023-review-the-threepenny-opera/

Photo: © Jean-Louis Fernandez When a ticket to “The Threepenny Opera” costs three hundred euros, it is already evident that someone has not read Brecht properly. Thomas Ostemeier, the director of this Bertolt Brecht and Kurt Weill “opera,” is an interesting figure. German by birth, he has been very popular in Paris for his work with the traditional company Comédie {…}
Reviews, Stage Reviews

Festival d’Aix-en-Provence 2023 Review: Otello

https://operawire.com/festival-daix-en-provence-2023-review-otello/

Credit: Vincent Beaume When Pierre Audi, the director of Festival d’Aix-en-Provence, announced that Jonas Kaufmann and Ludovic Tézier would sing in a one-night-only concert version of “Otello,” tickets sold out in a minute. Even admittance for critics was scarce, and the festival gave seats out only when audience members turned in their tickets. Ill in London, Kaufmann canceled. This reviewer’s {…}
Reviews, Stage Reviews

Festival d’Aix-en-Provence 2023 Review: Pretty Yende in Recital

https://operawire.com/festival-daix-en-provence-2023-review-pretty-yende-in-recital/

(Photo credit: Festival d’Aix-en-Provence © Vincent Beaume) In an arbored patio, Pretty Yende, ethereally sings the final terzett of the last Petrarch sonnet by Liszt, “ed era il cielo a l’armonia sí intento,” “che non se vedea in ramo mover foglia,” “tanta dolcezza avea pien l’aere e ’l vento.” (“and heaven so intent upon the harmony, no leaf was seen {…}
News, Reviews

Festival d’Aix-en-Provence 2023 Review: Le Prophète

https://operawire.com/festival-daix-en-provence-2023-review-le-prophete/

(photo credit: Festival d’Aix-en-Provence © Vincent Beaume) In the audience, on my right side, a young person wears a T-Shirt that reads “Meyerbeer Fan.” On my left side, a spinster cries “Justice for Meyerbeer.” Rarely does an opera in concert raise so many people’s spirits. But, Giacomo Meyerbeer is not a composer. He is an idealist. History has Dreyfuss, but only {…}
Reviews, Stage Reviews

Festival d’Aix-en-Provence 2023 Review: Ballets Russes

https://operawire.com/festival-daix-en-provence-2023-review-ballets-russes/

(Photo Credit: Jean-Louis Fernandez) On the website of Aix-en-Provence Festival, the “Ballets Russes” is sold as a fully staged opera. Listing it that way, the festival director Pierre Audi is provoking the audience to see what opera can actually be beyond the screaming divas. Most times, Aix’s provocations pay off. In fact, it is part of the festival’s brand. In {…}
News

Festival d’Aix-En-Provence Announces Cast Change for ‘Le Prophète’

https://operawire.com/festival-daix-en-provence-announces-cast-change-for-le-prophete/

(credit: Kristin Hoebermann) The Festival d’Aix-En-Provence has announced a cast change for its concert performance of Meyerbeer’s “Le Prophète.” The company said that Elizabeth DeShong will sing the role of Fidès replacing Anita Rachvelishvili, who was originally announced. DeShong performs regularly at the Metropolitan Opera, San Francisco Opera, Dallas Opera, and Royal Opera House. She has also performed with the {…}

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