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Interviews, Stage Spotlight

Q & A: Countertenor John Holiday on Bernstein, Breakthroughs, & A Blessed Career

https://operawire.com/q-a-countertenor-john-holiday-on-bernstein-breakthroughs-a-blessed-career/

In 2017, countertenor John Holiday took home the distinguished Marian Anderson Vocal Award, which not only recognizes him as an artist with a bright future lying ahead but also allows him to share that zeal in a spirited recital on Thursday, February 15 at the Kennedy Center in Washington, D.C. Operawire had the chance to speak with John Holiday to {…}

Interviews, Stage Spotlight

Q&A: Brian Mulligan On His Debut Solo Album And Collaborating In The Studio

https://operawire.com/qa-brian-mulligan-on-his-debut-solo-album-and-collaborating-in-the-studio/

American baritone Brian Mulligan has become sought out by the world’s leading opera houses and orchestras, singing a unique variety of repertoire from works by Argento, Meyerbeer, Puccini, Spears, Verdi and Wagner. Throughout the past few years, Mulligan has appeared at the San Francisco Opera, Wiener Staatsoper, the Metropolitan Opera, Opernhaus Zürich, Lyric Opera of Chicago, Houston Grand Opera and Oper {…}

Reviews, Stage Reviews

Festival d’Aix-En-Provence 2017 Review – Carmen: Tcherniakov’s Production Will Change the Way You See Bizet’s Masterpiece

https://operawire.com/festival-daix-en-provence-festival-2017-carmen-tcherniakovs-production-will-change-the-way-you-see-bizets-masterpiece/

“Carmen,” Georges Bizet’s Spanish-inspired masterpiece, was performed at the Festival d’arLyriqueue d’Aix-en-Provence’s 2017 season in an unconventional production. Russian director Dmitri Tcherniakov’s has consigned the traditional Sevillan mantillas, toreros, and abrigos de luz to distant memory and, for the hugely popular opera’s return to Aix for the first time in 60 years, has fully reviewed the story to give it {…}

Reviews, Stage Reviews

Festival d’Aix-En-Provence 2017 Review – The Rake’s Progress: An Imaginative Production & Solid Cast Lend Insightful Reading of Stravinsky’s Neo-Classic Masterwork

https://operawire.com/aix-en-provence-festival-2017-review-the-rakes-progress/

“The Rake’s Progress,” an opera in three acts and an epilogue by Igor Stravinsky, was one of the six operas performed at this year’s Festival International d’art Lyrique d’Aix-en-Provence. Although relatively modern, compared to the classical opera repertoire (it premiered on 11 April 1951), Simon McBurney’s visually striking and infinitely creative staging gives it an additional innovative edge. English actor, {…}

Reviews, Stage Reviews

54 Below Review: A Delightful Evening Of Gilbert and Sullivan Unplugged

https://operawire.com/54-below-review-a-delightful-evening-of-gilbert-and-sullivan-unplugged/

It’s 2017 and the world of classical music is obsessed with our revered classical, romantic and baroque works relevant to today’s millennials. And then there’s Gilbert and Sullivan. It’s not opera. It’s not musical theater. And aside from a production of “Pirates of Penzance” once a decade, few non-musically educated people are wary of the cheeky, British duo. On June {…}

Interviews, Stage Spotlight

Climbing Mount Everest – Sondra Radvanovsky On Her Evolution in Bellini’s ‘Norma’ [Exclusive]

https://operawire.com/climbing-mount-everest-sondra-radvanovsky-on-her-evolution-in-bellinis-norma-exclusive/

Every major discipline has its proverbial “Mount Everest,” the pinnacle achievement. The moment of “arrival” in which the person can feel a sense of accomplishment that few others, or only the true greats, have accomplished. In the soprano operatic repertoire, Bellini’s “Norma” is often viewed as that proverbial peak due to its taxing and wide-ranging nature. Lili Lehmann, one of {…}

Artist of the Week, News

Artist of the Week: Isabel Leonard Conquers Italian Audiences as Charlotte in Massenet’s ‘Werther’

https://operawire.com/artist-of-the-week-isabel-leonard-conquers-italian-audiences-as-charlotte-in-massenets-werther/

Isabel Leonard is recognized as one of the brightest stars in the opera world for her vocal beauty and vocal fireworks. After years of exploring Mozart and the baroque repertoire, Leonard is moving into new territory this season. She recently made her role debut as Adalgisa in Bellini’s “Norma” and last week she made her role debut as Charlotte in {…}