https://operawire.com/pittsburgh-opera-to-premiere-glory-denied/
On February 23, 2019 the Pittsburgh Opera is set to present the local premiere of Tom Cipullo’s “Glory Denied.” The work, based on a book by Tom Philpott, tells the true story of U.S. Army Colonel Jim Thompson, who was held captive as a prisoner of war longer than any other American in history. The work, which only features four {…}
https://operawire.com/opera-america-conference-2018-no-easy-answers-regarding-race-and-the-world-of-opera/
Race and ethnicity continue to vex the opera world in the same manner as they do the rest of society. If events at last week’s Opera America Conference are indicative of the industry, it’s a topic that requires further discussion at future conferences with no easy answers in sight. There were no fewer than five panels related to race and {…}
https://operawire.com/sonya-yoncheva-valery-gergiev-gerald-finley-to-be-featured-at-the-philharmonie-de-pariss-2018-19-season/
The Philharmonie de Paris has announced its 2018-19 season filled with numerous concerts and operatic selections. The season will see a number of international stars and orchestras as guest artists to this important Parisian hall. Here is a look at the vocal highlights. Valery Gergiev and the Mariinsky Orchestra continue their exploration of the Ring Cycle with “Siegfried.” The opera {…}
https://operawire.com/the-major-opera-recordings-of-florence-quivar/
Florence Quivar, born on March 3, 1944, is one of the great American mezzos of her time. She first came to love opera upon hearing the Met Opera on tour and then eventually launched on a mission to become a great opera singer in her own right. Her journey took her through the Julliard School, Philadelphia Academy of Music, and {…}
https://operawire.com/san-francisco-opera-2017-18-review-girls-of-the-golden-west-john-adams-latest-work-thrills-in-act-two-though-opera-as-whole-lacks-cohesion/
What better way to celebrate America in the midst of moral decay? What better offering than a paean to the quest for independence, human dignity, the chance for actual freedom? Meet “Girls of the Golden West,” John Adam’s brand new opera, given its world premiere last night in San Francisco. A collaboration with the renowned artist and visionary, Peter Sellars, {…}
https://operawire.com/placido-domingo-jonas-kaufmann-cecilia-bartoli-headline-salzburg-festival/
The Salzburg Festival has announced its 2018 summer festival. This season the festival will showcase eight operas in concert and staged performances. “Die Zauberflöte” will be the festival’s sole Mozart offering starring Matthias Goerne as Sarastro, Mauro Peter as Tamino, Albina Shagimuratova in the role of the Queen of the Night, Christiane Karg as Pamina, and Adam Plachetka as Papageno. Constantinos Carydis conducts Lydia Steier’s new production. {…}
https://operawire.com/social-media-beat-week-of-sept-29-metropolitan-opera-opening-week-dominates/
The big event of the week was the opening of the Metropolitan Opera’s 2017-18 season. As might be expected, a lot of the big stars had a lot to showcase on social media, many of them prepping for the opening of their respective productions. In addition to her big week at the Met, playing Adalgisa at opening night of “Norma,” {…}
https://operawire.com/social-media-beat-825-31-while-in-rehearsals-opera-stars-relax-with-loved-ones/
It was another week of rehearsals as many houses are preparing their 2017-18 seasons. And it was also a week where many of your favorite opera singers shared pictures with their loved ones. First off, Michael Fabiano announced his engagement to his boyfriend Bryan McCallister. The two have been in London where Fabiano is preparing a new production of “La {…}
https://operawire.com/westedge-opera-2017-review-frankenstein-libby-larsens-opera-gets-vibrantly-immersive-production/
If Mary Shelley bumped into Libby Larsen at West EdgeOpera, at the final matinee of “Frankenstein,” what would she have said? “Good job, Girl. Another new vista. A moving monster and a compelling draw away from the axe Viktor Frankenstein had to grind?” Or, “What on earth are you talking about – my monster and his maker, a 21st century {…}
