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IndieOpera

Vache Baroque Festival Announces 2022 Festival

https://operawire.com/vache-baroque-festival-announces-2022-festival/

(Credit: Vache Baroque Festival) U.K.-based Vache Baroque Festival has announced its 2022 slate which kicks off in late August. The showcase will be headlined by a production of Charpentier’s “La descente d’Orphée aux enfers.” The opera will star Samuel Boden, Henry Waddington, Lauren Lodge-Campbell, Naho Koizumi, Katie-Louise Dobson, Lila Chrisp, Alexander Chance, lars Fischer, and Jamie Woolard. Jonathan Darboune conducts {…}

IndieOpera

Vache Baroque Festival to Present Purcell’s ‘Dido and Aeneas’

https://operawire.com/vache-baroque-festival-to-present-purcells-dido-and-aeneas/

(Credit: Tim Dunk Photography) The Vache Baroque Festival will present Purcell’s opera “Dido and Aeneas” on September 4 & 6, 2020. Katie Bray, winner of the Dame Joan Sutherland Audience Prize at Cardiff Singer of the World 2019, will headline the cast as Dido. Bray’s recent roles include Zerlina in Mozart and Da Ponte’s “Don Giovanni,” title role in Vivaldi’s “La Griselda,” Dorabella in {…}

News, Season Announcement

Buxton International Festival Announces 2026 Opera Season

https://operawire.com/buxton-international-festival-announces-2026-opera-season/

Buxton International Festival has announced its 2026 opera season. First up is “La Traviata,” as the company seeks to complete its Verdi cycle.  The production is created in collaboration with Norwich Theatre and is directed by James Hurley. Adrian Kelly conducts the Buxton International Festival Orchestra. Performance Dates: July 11- 25, 2026 Next is “The Merry Widow,” a Scottish Opera {…}

News, Season Announcement

Helen Charlston Headlines Brighton Early Music Festival 2025

https://operawire.com/helen-charlston-headlines-brighton-early-music-festival-2025/

(Photo credit: Matthew Johnson) The 24th edition of the Brighton Early Music Festival announces its schedule. This article only features vocal concerts. Mademoiselle Duval’s “Les Génies ou les Caractères de l’Amour” is performed by sopranos Harriet Cameron and Laura Coppinger, tenor Richard Jackson, baritone Allyn Wu, and bass Henry Saywell. They are joined by the Baroque Collective Singers along with {…}

News

Sondra Radvanovsky, Freddie De Tommaso, Anastasia Bartoli, Elīna Garanča & Huw Montague Rendall Lead International Opera Awards Nominees

https://operawire.com/sondra-radvanovsky-freddie-de-tommaso-anastasia-bartoli-elina-garanca-huw-montague-rendall-lead-international-opera-awards-nominees/

The International Opera Awards have announced its 2025 nominees. The nominees for Opera Company of the Year are Deutsche Oper Berlin, GöteborgsOperan, Houston Grand Opera, MusikTheater an der Wien, Opernhaus Zürich, and Teatro alla Scala.  Meanwhile, in the Female Singer category, Anastasia Bartoli, Elsa Dreisig, Véronique Gens, Asmik Grigorian, Sondra Radvanovsky, and Adela Zaharia are the nominees.  In the Male Singer {…}

News

Buxton International Festival Commission Four New Operas to Premiere in 2025

https://operawire.com/buxton-international-festival-commission-four-new-operas-to-premiere-in-2025/

The 2025 Buxton International Festival has announced “Shorts,” a collection of four new opera commissions. “Shorts” consists of four 20-minutes opera composed by Francesca Amewudah-Rivers, Jasper Dommett, Martin Green, Carmel Smickersgill and Yshani Perinpanayagam, with librettos by Zodwa Nyoni, Josh Overton and Jessica Walker. Directors include Marcus Desando and Rebecca Meltzer, with designer Elliott Squire and repetiteur Paul McKenzie. “Shorts” {…}

Reviews, Stage Reviews

Buxton Festival 2019 Review: Lucio Papirio Dittatore

https://operawire.com/buxton-festival-2019-review-lucio-papirio-dittatore/

(Photo: Genevieve Girling) Over the past 30 to 40 years baroque opera has undergone an enormous revival, with many forgotten works unearthed and brought back to life. Yet, it is still rare to come across an opera by the Venetian composer Antonio Caldara (1670–1736), who is now best remembered for his setting of the “Crucifixus.” During his lifetime, however, he {…}