768 search results for…

News

Metropolitan Opera Announces Cast ‘Adjustments’ to ‘Fire Shut Up in My Bones’ & ‘Boris Godunov’

https://operawire.com/metropolitan-opera-announces-cast-adjustments-to-fire-shut-up-in-my-bones-fire-shut-up-in-my-bones/

(Credit: Ken Howard/Metropolitan Opera) The Metropolitan Opera has made adjustments to its casting of upcoming productions due to its vaccine mandate. In a New York Times article, the company noted that due to its policy of no children under 12 allowed into the auditorium it has recast two roles for its production of “Boris Godunov” and “Fire Shut up in {…}

News

Metropolitan Opera Announces Cast Change for ‘Boris Godunov’

https://operawire.com/metropolitan-opera-announces-cast-change-for-boris-godunov/

The Metropolitan Opera has announced a cast change for its upcoming production of Mussorgsky’s “Boris Godunov.” The company announced that Ryan Speedo Green will take over the role of Varlaam replacing the originally announced Stanislav Trofimov. Green made his Met debut in 2012 in a production of “Turandot” and returns this season for productions of “Porgy and Bess,” “La Bohème,” {…}

Interviews, Stage Spotlight

Q & A: Conductor Damian Iorio on Taking on Mussorgsky’s Titanic Masterpiece ‘Boris Godunov’ & The Key To Connecting With Younger Audiences

https://operawire.com/q-a-conductor-damian-iorio-on-taking-on-mussorgskys-titanic-masterpiece-boris-godunov-the-key-to-connecting-with-younger-audiences/

Mussorgsky’s “Boris Godunov” is legendary. The work is widely regarded as Russia’s greatest opera, even despite its labyrinthine history of revisions. This week, the work opens at the Opéra de Paris in a production by Ivo van Hove with Ildar Abdrazakov and Alexander Tsymbalyuk sharing the title role. Alongside them will be conductors Vladimir Jurowski and Damian Iorio. While Jurowski {…}

Reviews, Stage Reviews

Metropolitan Opera 2025-26 Review: Tristan und Isolde

https://operawire.com/metropolitan-opera-2025-26-review-tristan-und-isolde/

(Credit: Karen Almond) In his book, “A New Philosophy of Opera,” director Yuval Sharon notes that “Tristan und Isolde,” alongside “Pelléas et Mélisande” are not only two of the most difficult operas to stage, but “seem like a losing proposition” for any director to take on. He reflects on how oftentimes, director’s attempt to “find physical form for what the {…}

Interviews, Stage Spotlight

Q & A: First Countertenor Patrick Dunachie & Baritone Chris Bruerton on The King’s Singers

https://operawire.com/q-a-first-countertenor-patrick-dunachie-baritone-chris-bruerton-on-the-kings-singers/

(Photo: The King’s Singers press) The King’s Singers, a beloved ensemble, will be performing at NYC’s St. Bartholomew’s Church on February 4th at 7:30pm, and the Washington National Cathedral in DC on February 6th and 7th, 2026 at 7 p.m. These will also be some of the last performances with first countertenor Patrick Dunachie (after 10 years in the group) {…}

News

Metropolitan Opera, Houston Grand Opera, Jamie Barton, Will Liverman & Gustavo Dudamel Among Grammy Nominees

https://operawire.com/metropolitan-opera-houston-grand-opera-jamie-barton-will-liverman-gustavo-dudamel-among-grammy-nominees/

The Grammy nominations have been announced. Here are the vocal performances nominated: The Best Opera Recording nominees are Heggie’s “Intelligence” (Kwamé Ryan, Jamie Barton, J’Nai Bridges & Janai Brugger; Blanton Alspaugh, producer), Huang Ruo’s “An American Soldier” (Carolyn Kuan, conductor; Hannah Cho, Alex DeSocio, Nina Yoshida Nelsen & Brian Vu; Adam Abeshouse, Silas Brown & Doron Schachter, producers), Kouyoumdjian’s “Adoration” {…}

Reviews, Stage Reviews

Opéra de Lyon 2025-26 Review: Boris Godunov

https://operawire.com/opera-de-lyon-2025-26-review-boris-godunov/

(Photo: Jean Louis Fernandez) From October 13 to 25, the Lyon Opera House staged Modest Mussorgsky’s big opera “Boris Godunov.” An opera of Shakespearean proportions, the murder tsar resembles Richard III, with the added burden of a guilty conscience and, in spirit, certain historical operas such as Verdi’s “Don Carlo” or Meyerbeer’s. Its strength lies largely in the interplay of {…}

DVD and CD Reviews, Reviews

CD Review: Will Liverman’s ‘The Dunbar/Moore Sessions’

https://operawire.com/cd-review-will-livermans-the-dunbar-moore-sessions/

Reputedly, music is the medicine for sorrow and the companion to joy—“laetitia comes,” as the Latin has it. What’s more, it has the miraculous ability not only to make time stand still but to conjure, simultaneously, rapid flights of emotion. Music, in short, lays bare our humanity, distilled to its finest. Such is the theme—more or less—of Will Liverman’s “Dunbar/Moore {…}

News, Season Announcement

Opéra Orchestre National Montpellier Occitanie 2025-26 Season to Feature Kathryn Lewek, Bruno Taddia, Sheva Tehoval, & Maciej Kwasnikowski

https://operawire.com/opera-orchestre-national-montpellier-occitanie-2025-26-season-to-feature-kathryn-lewek-bruno-taddia-sheva-tehoval-maciej-kwasnikowski/

The Opéra Orchestre National Montpellier Occitanie announces its 2025-26 season. This article features operatic events only. A double bill of Mascagni’s “Cavalleria rusticana” and Leoncavallo’s “Pagliacci” open the season. Marie-Andrée Bouchard-Lesieur, Azer Zada, Julie Pasturaud, Tomasz Kumięga, Reut Venturo, Giuseppina Merli, Galina Cheplakova, Maciej Kwasnikowski, and Leon Kim are among the cast. Silvia Paoli directs. Yoel Gamzou conducts. Performance Dates: October {…}