(Photo: Amati Bacciardi) This summer’s Rossini Opera Festival’s imaginative and fast-moving production of the composer’s 1813 comic opera, “L’Italiana in Algeri,” hit the mark in so many ways: it was funny, colorful and energetic; the cast were fully engaged with their characters, which they hammed up brilliantly for laughs; the underlying dynamics of the narrative were expertly handled by the {…}