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IndieOpera

Karina Gauvin Headlines ‘Messiah’ Performance Alongside L’Ensemble Caprice & L’Ensemble Vocal Arts-Québec

https://operawire.com/karina-gauvin-headlines-messiah-performance-alongside-lensemble-caprice-lensemble-vocal-arts-quebec/

L’Ensemble Caprice and L’Ensemble Vocal Arts-Québec will team up with the artist-in-resident of the Mécénat Musica to present excerpts from Handel’s “Messiah” this Sunday, Feb. 28, 2021. The stream, which will be available on Mécénat Musica’s official website starting at 2:30 p.m. ET, will be headlined by soprano Karina Gauvin. The Grammy-nominated soprano has performed with are Orchestre Métropolitain, Ensemble {…}

Reviews, Stage Reviews

Bampton Classical Opera at Smith Square 2025 Review: La locandiera

https://operawire.com/bampton-classical-opera-at-smith-square-2025-review-la-locandiera/

(Photo: © Bampton Classical Opera) Two hundred years after Antonio Salieri’s death, Bampton Classical Opera has once again shown why his work deserves a place on today’s stages. Their production of “La locandiera” (The Landlady), Salieri’s sparkling comedy based on Goldoni’s celebrated play, offered London audiences a rare chance to experience one of the liveliest works of eighteenth-century opera buffa. {…}

News

Les Talens Lyriques to Present ‘La Vestale’ at Théâtre des Champs-Élysées

https://operawire.com/les-talens-lyriques-to-present-la-vestale-at-theatre-des-champs-elysees/

Gaspare Spontini’s “La Vestale” will be performed as part of the Théâtre des Champs-Élysées’ 30th anniversary series. The Roman tale of religious zeal and forbidden love features Les Talens Lyriques and Chœur de la Radio Flamande as well as Marina Rebeka as Julia, Stanislas de Barbeyrac as Licinius, Tassis Christoyannis sings Cinna, Aude Extrémo as The Great Vestal, and Nicolas {…}

Reviews, Stage Reviews

Innsbruck Early Music Festival 2019 Review: Cesti Competition

https://operawire.com/innsbruck-early-music-festival-2019-review-cesti-competition/

(Photos: Celina Friedrichs) When Alessandro De Marchi took up his post as Artistic Director of Innsbruck’s Early Music Festival one of his first innovations was to introduce the “Cesti Competition,” with the aim of promoting the profile of, and opportunities for, young singers specializing in the baroque. Now in its tenth year, the competition’s status on the international stage is {…}