Photo credit: ENO 2022 © Tristram Kenton Gilbert and Sullivan have become English National Opera (ENO) staples. Jonathan Miller’s much-revived radical “The Mikado” in the ’80s provided the template: serious singers and serious comedy. In recent years cultural heavyweights like Mike Leigh have created productions for the company. The last two shows—“Iolanthe” and “HMS Pinafore”—were directed by Cal McCrystal, most {…}