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Reviews, Stage Reviews

Opernhaus Zürich 2023-24 Review: La Rondine

https://operawire.com/opernhaus-zurich-2023-24-review-la-rondine/

The Opernhaus Zürich opened the 2023-24 season with one of Giacomo Puccini’s last operas, “La rondine” and one of the least fortunate in terms of fame. There are several reasons for this, none of which have anything to do with the artistic value of the work. The Carltheater in Vienna commissioned an operetta from Puccini, but he instructed the librettist {…}
Reviews, Stage Reviews

Komische Oper Berlin 2022-23 Review: Hamlet

https://operawire.com/komische-oper-berlin-2022-23-review-hamlet/

(Credit: Monika Rittershaus) Thomas‘ “Hamlet” is not listed under the genre Grand Opéra without reason. It features opulent music, a large chorus, a sturdy length (a good three hours plus intermission), and the need for truly excellent leading actors. The Komische Oper Berlin, together with the team of conductor Marie Jacquot and stage director Nadja Loschky, took up this challenge. {…}
Reviews, Stage Reviews

Opéra National de Paris 2022-23 Review: La Bohème

https://operawire.com/opera-national-de-paris-2022-23-review-la-boheme/

(Photo Credit: @Guergana Damianova – OnP) When Claus Guth’s spatial version of “La Bohème” opened in 2017, the Opéra Bastille shook with all the insults it received. Puccini’s opera is often understood as an artefact, and productions will flirt with disaster if they do not depict a snow-globe Paris, crystallized in everyone’s mind. Guth did not abandon a visually beautiful {…}
Reviews, Stage Reviews

Festival d’Aix-en-Provence 2022 Review: Il Viaggio, Dante

https://operawire.com/festival-daix-en-provence-2022-review-il-viaggio-dante/

(Photo: Monika Rittershaus) To mark the 700th anniversary of Dante Aligheri’s death in September 1321, the Aix-en-Provence festival staged the world premier of French composer Pascal Dusapin’s opera “Il Viaggio, Dante,” based upon the poet’s iconic narrative poem “The Divine Comedy.” To say that this is an ambitious undertaking is an understatement, especially as the work has been compressed into {…}
News

Oper Leipzig Announces 2022-23 Season

https://operawire.com/oper-leipzig-announces-2022-23-season/

Oper Leipzig has announced its 2022-23 season. Premieres Christoph Gedschold  leads Albert Lortzing’s “Undine” directed by Tilman Köhler. The cast will star Mirjam Neururer, Olena Tokar, Joseph Dennis, Mathias Hausmann, Sejong Chang, Karin Lovelius, Sarah Traubel, Randall Jakobsh, Sven Hjörleifsson, Dan Karlström, and Peter Dolinšek. Performance Dates: Nov. 4, 2022-July 7, 2023 Verdi’s “Otello” will star Xavier Moreno, Vladislav Sulimsky, Matthias {…}
News

Nicky Spence Withdraws from Staatsoper Berlin’s ‘The Makropulos Affair’ Due to Injury

https://operawire.com/nicky-spence-withdraws-from-staatsoper-berlins-the-makropulos-affair-due-to-injury/

(Credit: Ludoviz Ludha) The Staatsoper Unter den Linden has announced that Scottish tenor Nicky Spence has withdrawn from the production of Leoš Janáček’s “The Makropulos Affair” in February 2022. The tenor took to Twitter saying “So sad not to make my debut @StaatsoperBLN as planned… I fell down the stairs at the airport en route & am now stuck in {…}
News

Asmik Grigorian Headlines Bolshoi Theatre’s New ‘Salome’

https://operawire.com/asmik-grigorian-headlines-bolshoi-theatres-new-salome/

(Credit: Ruth Waltz) The Bolshoi Theatre will open Claus Guth’s highly anticipated production of R. Strauss’ “Salome.” The new version of the opera is a co-production with the Metropolitan Opera, which was set to open during the 2021-22 season. However, Russian audiences will see the production first with star sopranos Asmik Grigorian and Ann Petersen sharing the title role. In {…}
News

Ekaterina Siurina to Take Over Performances of Opéra de Paris’ ‘La Bohème’

https://operawire.com/ekaterina-siurina-to-take-over-performances-of-opera-de-paris-la-boheme/

(Credit: David Elofer) The Opéra National de Paris has announced the cast change for the role of Mimì in the Puccini, Giacosa and Illica’s opera “La bohème,” according to the official statement on the company’s website. Per the statement, soprano Marina Costa-Jackson has withdrawn from the production due to maternity leave and  Ekaterina Siurina will thus perform in her stead {…}

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