To paraphrase Shakespeare “an opera by any other name would sound as sweet.” There are multiple nomenclatures for the lyric theatre ranging A-Z from “Azione teatrale” to “Zarzuela.” Not to forget Wagner’s singular appellation of “Parsifal” as a “Bühnenweihfestspiel” or Richard Strauss’ designation of “Capriccio” as a “Konversationsstück für Musik.” Karol Szymanowski stands unique in that the original description of {…}