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Reviews, Stage Reviews

Metropolitan Opera 2017-18 Review – Roméo Et Juliette: Ailyn Pérez, Charles Castronovo, Plácido Domingo & Co. Deliver Darker, Heavier Interpretation of Gounod Opera

https://operawire.com/metropolitan-opera-2017-18-review-romeo-et-juliette-ailyn-perez-charles-castronov-placido-domingo-co-deliver-darker-heavier-interpretation-of-gounod-opera/

Gounod’s “Roméo et Juliette” is arguably the composer’s best work – an extended love duet with beautiful melodies that capture the essence of Shakespeare’s classic tale, if not its complexity. For years, the Met showcased a production that did draw closer to the greatness of Shakespeare, before replacing it with Bartlett Sher’s current interpretation. Sher’s version gets the job done {…}

Reviews, Stage Reviews

Teatro Regio Torino 2017-18 Review – I Lombardi: Angela Meade & Francesco Meli Sparkle In Early, But Underdeveloped Verdi Opera

https://operawire.com/teatro-regio-torino-2017-18-review-i-lombardi-angela-meade-francesco-meli-sparkle-in-early-but-underdeveloped-verdi-opera/

A number of Verdi’s early operas are closely associated with the Risorgimento, no more so than “Nabucco” with its famous chorus, “Va pensiero,” in which the people yearn for a homeland. Arguably, however, it was the follow-up and now rarely performed opera, “I Lombardi alla Prima crociata,” which best encapsulates the spirit of the Italian people’s desire for nationhood. Listening {…}

Reviews, Stage Reviews

Juilliard School 2018 Review – Hippolyte et Aricie: Production Recreates What Rameau Would Have Hoped For

https://operawire.com/juilliard-school-2018-review-hippolyte-et-aricie-productions-recreates-what-rameau-would-have-hoped-for/

Premiering in 1773, Jean-Phillipe Rameau’s first opera, “Hippolyte et Aricie,” was considered to be a ground-breaking and controversial work that would further inspire a continuation of masterpieces that Rameau would create in support of “modern” music.  Modeled after Racine’s tragedy “Phèdre,” Rameau created a tragédie lyrique, that stirred perspectives surrounding a genre of French opera that began with Jean-Baptiste Lully {…}

Reviews, Stage Reviews

Carousel on Broadway 2018 Review: Renée Fleming Makes Triumphant Return to Stage

https://operawire.com/carousel-on-broadway-2018-review-renee-fleming-makes-triumphant-return-to-stage/

Who knows if we will ever hear Renée Fleming take to the opera stage to perform a recognized role again? Her departure from the Met Opera stage last May in “Der Rosenkavalier” seems, to this point, as the end of Fleming the opera star to make way for Fleming, a bigger star in a wider range of musical repertoire. Because {…}

News

Glyndebourne Festival 2018 Announces Cinema & Live Stream Schedule

https://operawire.com/glyndebourne-festival-2018-announces-cinema-live-stream-schedule/

The Glyndebourne Festival has announced that several productions will be screened during this summer’s festival. The performances will be showcased in cinemas across the UK or online for international audiences; the live streams online will be straight from the festival’s website. This year the operas on offer to a wider range of audiences will be “Madama Butterfly,” “Vanessa,” and “Saul.” {…}

News

Oratorio Society of New York To Present Two World Premieres By Paul Moravec & Behzad Ranjbaran

https://operawire.com/oratorio-society-of-new-york-to-present-two-world-premieres-by-paul-moravec-behzad-ranjbaran/

The Oratorio Society of New York will present world premieres of an oratorio about the Underground Railroad that sets narratives of slaves running for freedom and their lives, and a work that sets poems calling for peace in Farsi, Spanish, Hebrew, Arabic, and English. The two works that will be presented include “Sanctuary Road,” by Paul Moravec and Mark Campbell {…}

Reviews, Stage Reviews

Lyric Opera of Chicago 2017-18 Review – Così Fan Tutte: Crebassa and Martinez shine in Mozart’s Infidelity Comedy

https://operawire.com/lyric-opera-of-chicago-2017-18-review-cosi-fan-tutte-crebassa-and-martinez-shine-in-mozarts-infidelity-comedy/

The basic premise of “Così fan tutte” is that the women are the butt of the joke as they are fooled by wily old Don Alfonso and the maid Despina into falling for men from distant Albania while believing that their lovers are away having gone to war. Despite that plot point, it is fair to say “advantage women” for {…}

News

Utah Opera 2018-19 To Feature Marjorie Owens, Andrew Stenson & Rachel Portman

https://operawire.com/utah-opera-2018-19-to-feature-marjorie-owens-andrew-stenson-rachel-portman/

 The Utah Opera announced its 2018-19 season featuring two new productions by the company’s in-house Production Studios.  The season opens on Oct. 13, 2018, with Gounod’s “Roméo et Juliette” with tenor Joshua Dennis as Roméo and soprano Anya Matanovič, who will star as Juliette. Robert Tweten conducts the production with scenery designed by Eric Fielding and costumes by Susan Memmott Allred. Performance Dates: Oct. {…}

News

Kevin Puts, Latonia Moore & Venera Gimadieva Headline Washington National Opera’s 2018-19 Season

https://operawire.com/kevin-puts-latonia-moore-venera-gimadieva-headline-washington-national-operas-2018-19-season/

The Washington National Opera has announced its 2018-19 season showcasing five productions and a number of vocal events.  Main Stage  The season opens with Verdi’s “La Traviata” starring Venera Gimadieva in her WNO debut and Jacqueline Echols sharing the role. Joshua Guerrero and Mario Chang share the role of Alfredo, both making company debuts. Lucas Meachem also makes his debut {…}