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Opera Wiki

Opera Profile: Saint-Saëns’ “Samson et Dalila”

https://operawire.com/opera-profile-saint-saens-samson-et-dalila/

Making its premiere on December 2nd, 1877, “Samson et Dalila” is a grand opera composed by Camille Saint-Saëns. The libretto, penned by Ferdinand Lemaire, is adapted from the Biblical story of Samson and Delilah found within the Old Testament. Saint-Saëns describes the project’s conception as a result of working with Lemaire, who had recently married one of Saint-Saëns’ cousins, after {…}

IndieOpera

Pacific Opera Project Announces Inventive 2018 Season Productions

https://operawire.com/pacific-opera-project-announces-inventive-2018-season-productions/

Pacific Opera Project (POP) has announced the productions for its 2018 season, curated by Artistic Director Josh Shaw. Opening the season will be Mozart’s “Don Giovanni” in downtown Los Angeles’ The Vortex theater. Featuring food and wine served to 70 tables, this delectable production is said to look like “Dick Tracy” meets “Boardwalk Empire.” POP’s production of “Don Giovanni” will {…}

IndieOpera

Pacific Opera Project To Close 2017 Season With Modern Take on ‘La Bohème’

https://operawire.com/pacific-opera-project-to-close-2017-season-with-modern-take-on-la-boheme/

The Pacific Opera Project will close its 2017 season with five performances of its 2012 production of “La Bohème: AKA ‘The Hipsters.’” In POP’s production of “La Bohème: AKA ‘The Hipsters,’” an 1830’s Parisian garret becomes a present-day Los Angeles loft apartment during a particularly cold SoCal winter. LA’s housing crisis comes to life on stage as the artist, poet, philosopher, musician, {…}

Reviews, Stage Reviews

Pacific Opera Project 2017-18 – The Monkey’s Paw & The Medium: Double Bill Enchants & Sets Perfect Halloween Mood

https://operawire.com/pacific-opera-project-2017-18-the-monkeys-paw-the-medium-double-bill-enchants-sets-perfect-halloween-mood/

On October 27, 2017, Pacific Opera Project presented the world premiere of Brooke DeRosa’s “The Monkey’s Paw” along with a revival of Gian Carlo Menotti’s “The Medium” at the Ebell Club in Los Angeles. Brooke based the libretto for her opera on W.W. Jacobs’ 1902 supernatural thriller of the same name. The mystic tale, sometimes read in high school classes, {…}

Reviews, Stage Reviews

Los Angeles Opera 2017-18 Review – Carmen: Ana María Martínez & Riccardo Massi Lead Solid Cast In Iffy Production

https://operawire.com/los-angeles-opera-2017-18-review-carmen-ana-maria-martinez-riccardo-massi-lead-solid-cast-in-iffy-production/

For an opera that’s so widely known and beloved by the public, it makes sense why the Los Angeles Opera would want to play it safe with its recent production of “Carmen.” On Sep. 9, 2017, the LA Opera opened its 2017-18 season with the Bizet masterpiece, with superstar soprano Ana María Martínez in the title role. Just four years {…}

Opera Meets Film, Special Features

Opera Meets Film: How Pixar’s ‘Up’ Illuminates & Subverts ‘Carmen’s’ Habanera

https://operawire.com/opera-meets-film-how-pixars-up-illuminates-subverts-carmens-habanera/

“Opera Meets Film” is a feature dedicated to exploring the way that opera has been employed in cinema. We will select a section or a film in its entirety, highlighting the impact that utilizing the operatic form or sections from an opera can alter our perception of a film that we are viewing. This week’s installment features Pete Doctor’s “Up.” {…}

Reviews, Stage Reviews

Festival d’Aix-En-Provence 2017 Review – Carmen: Tcherniakov’s Production Will Change the Way You See Bizet’s Masterpiece

https://operawire.com/festival-daix-en-provence-festival-2017-carmen-tcherniakovs-production-will-change-the-way-you-see-bizets-masterpiece/

“Carmen,” Georges Bizet’s Spanish-inspired masterpiece, was performed at the Festival d’arLyriqueue d’Aix-en-Provence’s 2017 season in an unconventional production. Russian director Dmitri Tcherniakov’s has consigned the traditional Sevillan mantillas, toreros, and abrigos de luz to distant memory and, for the hugely popular opera’s return to Aix for the first time in 60 years, has fully reviewed the story to give it {…}

Reviews, Stage Reviews

Metropolitan Opera 2016-17 Review – Don Giovanni: Plácido Domingo Leads Pitch-Perfect Cast in Mozart’s Masterpiece

https://operawire.com/metropolitan-opera-2016-17-review-don-giovanni-placido-domingo-leads-pitch-perfect-cast-in-mozarts-masterpiece/

I am going to be rather forward with you. This analysis of Wednesday’s “Don Giovanni” at the Metropolitan Opera will kick off on a positive note before turning a bit sour in tone. But lo and behold, after that, I am going to return to my boyish enthusiasm for what I experienced at the opening of this revival run. The {…}

Reviews, Stage Reviews

Victor Herbert Renaissance Project LIVE! Review 2017: A Small Production Packs A Mighty Punch

https://operawire.com/victor-herbert-renaissance-project-live-review-2017-a-small-production-packs-a-mighty-punch/

At the turn of the 20th century, Victor Herbert was widely regarded as a major composer making his mark with dozens and dozens of operettas. But the last century hasn’t always been kind to the Irish-American composer, many of his works getting largely ignored in the opera world. But for the last few years, the Victor Herbert Renaissance Project LIVE! {…}