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Interviews, Stage Spotlight

“HUSH” – Soprano Nora Fischer & Electric Guitarist Marnix Dorrestein On Bringing A New Perspective To 17th Century Music In Their New Album

https://operawire.com/hush-soprano-nora-fischer-electric-guitarist-marnix-dorrestein-on-bringing-a-new-perspective-on-17th-century-music-in-their-new-album/

Scarlatti, Purcell, Monteverdi, Dowland, Vivaldi, and Caldara, were popular in early music, but without traditionally played instruments and vocals, could music from the 17th century resonate in the same way today?  “HUSH,” an album that is pushing boundaries in the classical music world, was just released by Deutsche Grammophon and is sparking new ideas surrounding innovation and creativity in early {…}

Reviews, Stage Reviews

Deutsche Oper Berlin 2017-18 Review – La Traviata: Kristina Mkhitaryan’s Outstanding Violetta Gains the Russian Soprano “Prima Donna Assoluta” Status

https://operawire.com/deutsche-oper-berlin-2017-18-review-la-traviata-kristina-mkhitaryans-outstanding-violetta-gains-the-russian-soprano-prima-donna-assoluta-status/

The Deutsche Oper Berlin has long been a mecca for iconoclast regie theater directors ranging from Hans Neuenfels and Claus Guth to Ole Anders Tandberg, whose recent staging of “Carmen” had more viscera on the stage than verismo. Curiously, the extant production of “La Traviata” by the former Deutsche Oper Intendant Götz Friedrich, dating back to 1999, is surprisingly uncontroversial. In his {…}

Interviews, Stage Spotlight

Q & A : Mezzo-Soprano Jamie Barton On The Challenges of ‘Der Ring Des Nibelungen’ & Verdi vs. Wagner

https://operawire.com/q-a-mezzo-soprano-jamie-barton-on-the-challenges-of-der-ring-des-nibelungen-verdi-vs-wagner/

This interview was conducted in collaboration with Francisco Salazar.  Everyone knows what Jamie Barton can do. And if you don’t… The mezzo-soprano has firmly established herself over the past few years as one of the finest singing actresses on the planet, stealing scenes and garnering show-stopping applause with her incredible instrument and dramatic interpretation. She’s pulled off some historic feats {…}

News

Jakub Józef Orliński & Sabine Devieilhe Lead Opera de Lille’s 2018-19 Season

https://operawire.com/jakub-jozef-orlinski-sabine-devieilhe-lead-opera-de-lilles-2018-19-season/

The Opera de Lille has announced its 2018-19 Season featuring a number of opera staples and rarely performed works. The season will include a number of ballets and concerts, but for this season announcement we will only concentrate on the operatic highlights. Productions  The season opens with Handel’s “Rodelinda” featuring Jeanine De Bique in the title role. The cast also includes Tim {…}

News

Elchin Azizov Receives Award From Azerbaijan

https://operawire.com/elchin-azizov-receives-award-from-azerbaijan/

Elchin Azizov has received the title of People’s Artist of Azerbaijan. The baritone announced via instagram that President Ilham Aliyev and Vice President Mehriban Aliyeva honored him for his contribution in music. The baritone, who hails from Azerbaijan, is a soloist with the Bolshoi Theatre and recently performed the title role of “Macbeth” at the Opera de Lyon for its {…}

News

Adela Zaharia, Linda Watson & Karine Babajanyan Lead Deutsche Oper Am Rhein’s 2018-19 Seson

https://operawire.com/adela-zaharia-linda-watson-karine-babajanyan-lead-deutsche-oper-am-rheins-2018-19-seson/

The Deutsche Oper am Rhein has announced its 2018-19 season, featuring 10 new productions and a number of rising stars. The season will also include a number of opera favorites, rarely performed works, and modern masterpieces. Here is a look. Premieres Suzanne Andrade and Esme Appleton direct a new double bill featuring Stravinsky’s “Petrushka” and Ravel’s “L’Enfant et Les Sortileges.” Tiago Alexandre Fonseca, Pauliina {…}

Reviews, Stage Reviews

Semperoper Dresden 2017-18 Review – La Forza del Destino: Mark Wigglesworth’s Music Making Overcomes Uneven Leads in Unique Production

https://operawire.com/semperoper-dresden-2017-18-review-la-forza-del-destino-mark-wigglesworths-music-making-overcomes-uneven-leads-in-unique-production/

Dresden’s Semperoper’s production of “La Forza del Destino” showed how Verdi once again cut a big swathe in subject matter: the idea of fate, “schicksal,” “destino”, destiny, and its power over human emotions and actions. Prize-winning British conductor Mark Wigglesworth led the orchestra through the highs and lows of the tension in such a dialectic, never sacrificing the glories of {…}

News

Top 5 Operas to See This Weekend (5/11-13): Barbara Hannigan, Elina Garanca & Mariella Devia Headline

https://operawire.com/top-5-operas-to-see-this-weekend-5-11-13-barbara-hannigan-elina-garanca-mariella-devia-headline/

It’s a weekend of firsts with two major stars making major role debuts, while two other major stars headline an important world premiere. But it is also a weekend of endings as one of the greatest opera legends says goodbye to staged opera. Here is a look at what will definitely an incredibly unforgettable weekend. L’Italiana in Algeri-Teatro Colón, Argentina {…}

Reviews, Stage Reviews

Teatro La Fenice 2017-18 Review – L’Elisir d’Amore: Irina Dubrovskaya and Leonardo Cortellazzi Put On Striking Displays in Donizetti Masterpiece

https://operawire.com/teatro-la-fenice-2017-18-review-lelisir-damore-irina-dubrovskaya-and-leonardo-cortellazzi-put-on-striking-displays-in-donizetti-masterpiece/

The path of true love never runs smoothly, or so the well-known expression runs. Through the centuries men and women have constantly misunderstood each other’s intentions; the game of love is no simple affair. What should be a simple development between two people who love each other almost by default becomes complicated and fraught with misunderstandings as they engage in {…}