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Reviews, Stage Reviews

Ópera de Oviedo 2019-20 Review: Lucia Di Lammermoor

https://operawire.com/opera-de-oviedo-2019-20-review-lucia-di-lammermoor/

The Ópera de Oviedo closed its 2019-20 season with Donizetti’s “Lucia di Lammermoor.” “Lucia di Lammermoor” is one of the most popular in the repertoire but also known for it challenging roles. Thankfully for this new production, Oviedo counted on some of the greatest interpreters of the work. With a surprising production, this was an evening to remember. The Diva {…}

Special Features

Best Of 2019: OperaWire’s Top 11 Singers Of The Year

https://operawire.com/best-of-2019-operawires-top-11-singers-of-the-year/

(Credit: Catherine Ashmore/Royal Opera – Antoni Bofill/Gran Teatre del Liceu – Ken Howard/Metropolitan Opera) As we end the year its time to look back at the past 365-ish days and the big moments that defined 2019. It was a great year for numerous singers who broke-out and for established performers who took their careers in new directions or made important {…}

News

Rossini Opera Festival Has Announced Cast Changes

https://operawire.com/rossini-opera-festival-has-announced-cast-changes/

The Rossini Opera Festival has announced a number of cast changes. The company announced that Mirco Palazzi will not sing the Cantata “La riconoscenza” due to family issues on August 14. As a result, the role of Elpino will be sung by Riccardo Fassi. On August 16, Manuel Amati will sing in the Soirées musicales concert replacing recent Operalia winner Xabier {…}

Reviews, Stage Reviews

Long Beach Opera 2018-19 Review: The Central Park Five

https://operawire.com/long-beach-opera-2018-19-review-the-central-park-five/

(photo: Keith Ian Polakoff) From the outset, let me say that Anthony Davis and Richard Wesley’s “The Central Park Five” is a powerful experience. I’ve said elsewhere that impressive new operas are created out of U.S. current affairs because U.S. current affairs play out on an operatic scale. Such is the case with this account of the trial and later {…}

Reviews, Stage Reviews

New York City Opera 2018-19 Review: Stonewall

https://operawire.com/new-york-city-opera-2018-19-review-stonewall/

(Photo credit: Sarah Shatz) Celebrating the 50th Anniversary of the Stonewall uprising and the 75th year of New York City Opera (NYCO), general director Michael Capasso debuted the world premiere of the LGBTQI+ focused new opera by Iain Bell and Mark Campbell, “Stonewall” on June 21, 2019. Currently the only opera company that houses a series supporting Pride Month, NYCO {…}

News

Francois Girard’s ‘Der Fliegende Holländer’ Production Highlights The Festival d’Opéra de Québec 2019

https://operawire.com/francois-girards-der-fliegende-hollander-production-highlights-the-festival-dopera-de-quebec-2019/

The Festival d’Opéra de Québec has announced its slate for 2019. The big story revolved around the company’s new production of Richard Wagner’s “Der Fliegende Holländer,” in a co-production with The Metropolitan Opera and the Dutch National Opera, Amsterdam. The festival assembled an international cast that includes Canadian baritone Gregory Dahl in the title role, German bass Andreas Bauer Kanabas as {…}

Reviews, Stage Reviews

Donizetti Opera Festival 2018 Review: Il Castello di Kenilworth

https://operawire.com/donizetti-opera-festival-2018-review-il-castello-di-kenilworth/

Donizetti certainly had an intimate relationship with England’s Queen Elizabeth I, and with the Tudors in general, who provided him with a rich source of characters and themes for his operas. Three works have substantial roles for Elizabeth, herself; “Maria Stuarda” and “Roberto Devereux” are well-known and receive regular performances, whereas the third, “Il Castello di Kenilworth,” rarely receives a {…}