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News

Project to Reconstruct Teatro San Cassiano Heads to NYC & Washington DC

https://operawire.com/project-to-reconstruct-teatro-san-cassiano-heads-to-nyc-washington-dc/

A project to reconstruct the Teatro San Cassiano — the world’s first public opera house, inaugurated in Venice in 1637 and demolished in 1812 under Napoleon’s orders — will make its American debut this March. The events, which will take place at the Italian Cultural Institute in New York on March 16 and Washington DC on March 18, will feature {…}

Behind the Scenes, Interviews

Q & A: Andrea Marcon On Baroque Opera & The Rebuilding Of Venice’s Teatro San Cassiano

https://operawire.com/q-a-andrea-marcon-on-baroque-opera-the-rebuilding-of-venices-teatro-san-cassiano/

With the proposal to reconstruct the world’s first public opera house, Venice’s Teatro San Cassiano, developing apace, OperaWire took the opportunity to meet up with its artistic director, Andrea Marcon, to discuss his aims, justifications, expectations, and hopes for the project. Marcon is one of the world’s leading exponents of baroque repertoire and has conducted performances across the globe, from {…}

Behind the Scenes, Interviews

Reviving The San Cassiano – Paul Atkin Discusses His Plan to Rebuild The World’s First Public Opera House (Part 3)

https://operawire.com/reviving-the-san-cassiano-paul-atkin-discusses-his-plan-to-rebuild-the-worlds-first-public-opera-house-part-3/

Rebuilding Venice’s San Cassiano theatre will be a formidable task in and of itself, yet behind the scenes there is a raft of other issues and initiatives which need considerable attention. In this third and final part of OperaWire’s interview, Paul Atkin, the man behind the project, discusses some of these concerns, including what it means to be a public {…}

Behind the Scenes, Interviews

Reviving San Cassiano – Paul Atkin Discusses His Plan To Rebuild The World’s First Public Opera House (Part 2)

https://operawire.com/reviving-san-cassiano-paul-atkin-discusses-his-plan-to-rebuild-the-worlds-first-public-opera-house-part-2/

Since 1999 Paul Atkin, CEO of the San Cassiano Project, has been working towards fulfilling his dream of rebuilding the world’s first public opera house, the San Cassiano theatre: a place that the world has not seen since its destruction in 1812 during the French occupation of Venice. In the first part of OperaWire’s interview with Atkin, he talked about {…}

Behind the Scenes, Interviews

Reviving San Cassiano – Paul Atkin Discusses his Plan to Rebuild the World’s First Public Opera House (Part 1)

https://operawire.com/rebuilding-san-cassiano-paul-atkin-discusses-his-plan-to-revive-the-worlds-first-public-opera-house-part-1/

The year 1637 saw one of operatic history’s defining moments: Venice’s San Cassiano theatre, the world’s first public opera house, opened its doors to the paying public for the first time for a performance of “L’Andromeda” by Francesco Manelli to a text by Benedetto Ferrari. Anyone who could afford the price of a ticket could attend. Opera had escaped the {…}

Interviews, Stage Spotlight

Q & A: Sebastiano Rolli on ‘Nabucco,’ the Arena di Verona & the Italian Repertoire

https://operawire.com/q-a-sebastiano-rolli-on-nabucco-the-arena-di-verona-the-italian-repertoire/

Italian conductor Sebastiano Rolli is known for his Italian and bel canto repertoire, having conducted all over the world at such theaters as Teatro Regio di Parma, Teatro Filarmonico in Verona, Maggio Musicale Fiorentino, and Teatro La Fenice, among others. Over the years he has conducted such operas as “L’elisir d’amore,” “Giovanna d’Arco,” “La Cenerentola,” “Torquato Tasso,” “Maria de Rudenz,” {…}

Reviews, Stage Reviews

Monteverdi Festival Cremona 2026 Review: Le Nozze di Teti e Peleo

https://operawire.com/monteverdi-festival-cremona-2026-review-le-nozze-di-teti-e-peleo/

(Photo: Antonio Dimondo) Monteverdi Festival Cremona featured Francesco Cavalli’s “Le Nozze di Teti e Peleo” with libretto by Orazio Persiani as a world premiere in modern times: a major experiment in textual reconstruction and innovative staging at Teatro Ponchielli on June 19, 2026. Cavalli was one of Monteverdi’s favorite students. He was a Venetian composer, organist, and singer of the {…}