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Reviews, Stage Reviews

Teatro Municipale di Piacenza 2025 Review: ‘Cavalleria Rusticana’ & ‘Pagliacci’

https://operawire.com/teatro-municipale-di-piacenza-2025-review-cavalleria-rusticana-pagliacci/

(Photos: ©Fondazione Teatri di Piancenza) As the 19th century came to a close, during a period of artistic transition, young composers sought to innovate and redefine the operatic language. It was in this context that, almost fortuitously, the most emblematic diptych of Italian musical theater and the ultimate prototype of verismo opera emerged: Pietro Mascagni’s “Cavalleria Rusticana” and Ruggero Leoncavallo’s {…}

Reviews, Stage Reviews

Teatro Comunale di Piacenza 2024 Review: Mosè in Egitto

https://operawire.com/teatro-comunale-di-piacenza-2024-review-mose-in-egitto/

(Photo: Rolando Paolo Guerzoni) Composed by Gioachino Rossini in 1818, “Mosè in Egitto” is an opera that deserves close attention for its historical and musical significance. Created during a transitional phase in his career, Rossini crafted a masterpiece that merges sacred drama with opera seria. Based on the biblical tale of Exodus, Moses in Egypt marks a turning point in {…}

News

Obituary: Italian Pianist and Vocal Coach Nicoletta Olivieri Dies

https://operawire.com/obituary-italian-pianist-and-vocal-coach-nicoletta-olivieri-dies/

Italian pianist, coach, and director Nicoletta Olivieri has passed away following an extended illness. She is remembered for her decades of service to the arts, serving as accompanist for luminaries such as Claudio Abbado, Lorin Maazel, Riccardo Muti, Daniele Gatti, Nello Santi, Luciano Pavarotti, Monserrat Caballe, Mirella Freni, Ruggero Raimondi, and more. A graduate of the Conservatorio Giovanni Battista Martini {…}

Interviews, Stage Spotlight

Q & A: Soprano Francesca Aspromonte On Her New CD, Singing Baroque Music & The Future

https://operawire.com/q-a-soprano-francesca-aspromonte-on-her-new-cd-singing-baroque-music-the-future/

This week Italian soprano, Francesca Aspromonte, a rising star in the early music scene, will see the release of her first solo CD, “Prologue.” At the age of only 27, she is standing on the threshold of a glittering career, with critics running out of adjectives to describe her performances. Aspromonte made her professional debut as La Musica in Monteverdi’s {…}