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News, Season Announcement

Ludovic Tézier, Brian Jagde, Vasilisa Berzhanskaya, Anastasia Bartoli, Arturo Chacón-Cruz, Maria José Siri & SeokJong Baek Lead Teatro Massimo di Palermo’s 2025-26 Season

https://operawire.com/ludovic-tezier-brian-jagde-vasilisa-berzhanskaya-anastasia-bartoli-arturo-chacon-cruz-maria-jose-siri-seokjong-baek-lead-teatro-massimo-di-palermos-2025-26-season/

The Teatro Massimo di Palermo has announced its 2025-26 season. Opera  Rachmaninov’s “Aleko” and Leoncavallo’s “Pagliacci” will be performed in a double bill. Francesco Lanzillotta conducts the production by Silvia Paoli, who will put the two operas in a dialogue. Brian Jagde, Carolina López Moreno, and Elchin Azizov star. Opening Night: Nov. 21, 2025 Puccini’s “La bohème” will star Anastasia Bartoli, Arturo Chacón-Cruz, Hasmik {…}

News

Renée Fleming, Sondra Radvanovsky, Daniela Mack, Alfredo Daza, SeokJong Baek, & Ana María Martínez Lead Lyric Opera of Chicago’s 2025-26 Season

https://operawire.com/renee-fleming-sondra-radvanovsky-daniela-mack-alfredo-daza-seokjong-baek-ana-maria-martinez-lead-lyric-opera-of-chicagos-2025-26-season/

The Lyric Opera of Chicago has announced its 2025-26 season. The company will open with the Lyric Opening Concert & Gala. Performance Date: Oct. 10, 2025  The first production of the season will be Cherubini’s “Medea“ starring Sondra Radvanovsky in Sir. David McVicar’s production. She will be joined by Matthew Polenzani, Elena Villalón, Zoie Reams, and Alfred Walker. Enrique Mazzola {…}

Interviews, Stage Spotlight

Q & A: SeokJong Baek On His Favorite Roles & How His Faith & Voice Transitioned His Opera Career

https://operawire.com/q-a-seokjong-baek-on-his-favorite-roles-how-his-faith-voice-transitioned-his-opera-career/

(Photo: Dahyun Baek) SeokJong Baek’s rise to prominence in the opera world can only be described as meteoric, if not almost difficult to believe. Almost 15 years singing as a baritone, a chance encounter with fellow South Korean tenor Yonghoon Lee suggested to him that he might make a better tenor than a baritone. Despite joining the San Francisco Young {…}

News

Leah Hawkins, Maria Brea, Rafael Moras & SeokJong Baek Lead Arizona Opera’s 2024-25 Season

https://operawire.com/leah-hawkins-maria-brea-rafael-moras-seokjong-baek-lead-arizona-operas-2024-25-season/

The Arizona Opera has announced its 2024-25 season. The season opens with Arizona Opera’s new “Beyond Downtown” program, the newest evolution of the company’s McDougall RED Series, which will bring operatic performances throughout Arizona, reaching beyond the walls of the theaters in which the company typically performs. Performance Dates: TBD Caitlin Gotimer, SeokJong Baek, Benjamin Taylor, and Emma Marhefka perform {…}

News

Leah Hawkins, Laura Wilde, SeokJong Baek, Véronique Filloux Headline Arizona Opera’s 2022-23 Season

https://operawire.com/arizona-opera-announces-2022-23-season/

Arizona Opera has announced its 2022-23 season. The season kicks off with “The Falling and the Rising.” The new work is by Zack Redler and Jerre Dye. Audrey Babcock, Brad Bickhardt, Schyler Vargas, and Thomas Cannon. Michael Sakir conducts a production directed by Dennis Whitehead Darling.  Performance Dates: Oct. 14-16, 2022 in Phoenix / Oct. 22-23, 2022 in Tucson Next {…}

News

Lyric Opera of Chicago Reveals Ryan Opera Center 2026-27 Ensemble

https://operawire.com/lyric-opera-of-chicago-reveals-ryan-opera-center-2026-27-ensemble/

Lyric Opera of Chicago’s Ryan Opera Center has unveiled the singers selected for the 2026-27 ensemble. The newcomers include sopranos Kylie Kreucher and Josie Larsen, baritone Adam Partridge, and bass-baritones Matthew Dexter and Lin Fan. Meanwhile, the returning Ensemble members are mezzo-sopranos Alexis Peart and Camille Robles, tenor Daniel Luis Espinal, baritone Sihao Hu, and bass-baritone Benjamin R. Sokol. The new members, selected from a pool {…}

Reviews, Stage Reviews

Royal Ballet & Opera 2025-26 Review: The Sicilian Vespers

https://operawire.com/royal-ballet-opera-2025-26-review-the-sicilian-vespers/

(Credit: Tristram Kenton) It’s a lot of smoke and mirrors. No, really. Director Stefan Herheim employs a combination of both smoke and mirrors on a seemingly ever-revolving, ever-evolving stage setting of grandiose balconies, monumental set pieces, and athletic ballerinas, whose inclusion is frequent enough to make the casual observer question whether this is an opera or a ballet. In fact, {…}