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IndieOpera

Opera North & Shadwell Opera to World Premiere ‘The Devil’s Den’

https://operawire.com/opera-north-shadwell-opera-to-world-premiere-the-devils-den/

Opera North will partner with Shadwell Opera for the world premiere of Isabella Gellis’ “The Devil’s Den.” The opera will take the stage on Nov. 15, 2025, at 3 p.m. and 6 p.m. in the Howard Assembly Room in Leeds and marks Opera North’s first in a new series of collaborations with innovative UK companies. The cast includes Jennifer France, {…}

News

Cast Change: Ailyn Pérez to Perform as ‘Tosca’ in Upcoming Showcase at Royal Ballet & Opera

https://operawire.com/cast-change-ailyn-perez-to-perform-as-tosca-in-upcoming-showcase/

(Photo Credit: Curtis Brown) The Royal Opera House has announced a major cast change for its production of “Tosca.” The company revealed that Aleksandra Kurzak has withdrawn from the Sept. 24 showcase due to illness. In her stead, Ailyn Pérez will take on the title role in the Puccini classic. Pérez made her ROH debut back in 2014 and has {…}

Reviews, Stage Reviews

Royal Ballet & Opera 2025-26 Review: Tosca

https://operawire.com/royal-ballet-opera-2025-26-review-tosca/

(Credit: Marc Brenner) I’ve previously opined that Puccini’s Tosca is perhaps among the least plausible of tales in the repertory and that the problem with long-running or much revived productions is that, unless you can constantly attract new audiences, they can only stand the test of time for so long. This Oliver Mears’ exciting new production has the potential to {…}

Reviews, Stage Reviews

Royal Ballet and Opera 2025 Review: Faust

https://operawire.com/royal-ballet-and-opera-2025-review-faust/

(Credit: ©2025 Marc Brenner) This David McVicar production of “Faust” is its sixth incarnation. It is a cornucopia of demonic dabbling and delightful witticism combined with some rather dark, if not thoroughly perturbing, moments; balanced with some stellar acting and some pretty glorious singing!
Under revival director Peter Relton we are presented here with a gamut of prancing devils, cabaret girls {…}

News, Season Announcement

Anna Netrebko, Freddie De Tommaso, Marina Rebeka, Bryn Terfel, Aigul Akhmetshina, Lisette Oropesa, Juan Diego Flórez & Pretty Yende Lead Royal Ballet & Opera’s 2025-26 Season

https://operawire.com/anna-netrebko-freddie-de-tommaso-marina-rebeka-bryn-terfel-aigul-akhmetshina-lisette-oropesa-juan-diego-florez-pretty-yende-lead-royal-ballet-operas-2025-26-season/

The Royal Ballet and Opera has announced its 2025-26 season. The season opens with Puccini’s “Tosca” in a new production by Oliver Mears. Anna Netrebko and Aleksandra Kurzak share the title role. Freddie De Tommaso and Gerald Finley also star. Performance Dates: Sept. 11-Oct. 7, 2025 Speranza Scappucci conducts Verdi’s “I vespri siciliani” in a revival of Stefan Herheim’s production. Marina {…}

Reviews, Stage Reviews

Royal Opera House 2024-25 Review: Turandot

https://operawire.com/royal-opera-house-2024-25-review-turandot/

At the risk of repeating myself, opera should be all about the music and the voice. If I’m ever asked to quantify that statement, I readily proffer “Turandot” in support of my assertions. For here is a ridiculous, cruel, convoluted tale that is impossible to like and grasp, perpetrated by a pair of unpleasant, thoroughly dislikeable characters with, were it {…}

News

Verbier Festival Announces Atelier Lyrique Participants for 2025

https://operawire.com/verbier-festival-announces-atelier-lyrique-participants-for-2025/

The Verbier Festival has unveiled its Academy and Orchestras for 2025. In sum, the festival announced that its training programs will feature 218 artists from 43 countries, selected from a pool of 2,085 applicants from 76 countries. The Atelier Lyrique had 208 applicants, a five percent increase from 2024. In the end, 16 singers were selected from nine countries. These {…}

Reviews, Stage Reviews

Royal Ballet & Opera 2024-25 Review: Tosca

https://operawire.com/royal-ballet-opera-2024-25-review-tosca/

(Photo © [2024] Clive Barda) Puccini’s “Tosca” is, in effect, a historical 18th Century fable as seen through 19th Century eyes; still resonating here in the  21st Century purely because its story of love over politics – played out by Tosca, an opera singer; her lover the heroic painter Cavaradossi; and the thoroughly unpleasant dictator Baron Scarpia – combine to {…}