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Reviews, Stage Reviews

Opera Theatre Saint Louis 2024 Review: Galileo Galilei

https://operawire.com/opera-theatre-saint-louis-2024-review-galileo-galilei/

(Photo Credit: Eric Woolsey) Opera Theatre Saint Louis cultivates a justly deserved reputation for promoting contemporary works, having world-premiered 40-some operas in the company’s five decades, and staging many other operas born after WWII but perhaps not new enough to be labeled “contemporary” in 2024. The American legend, Philip Glass, made one prior appearance at the company—in person then, too—with {…}

Reviews, Stage Reviews

Opera Theatre Saint Louis 2024 Review: Julius Caesar

https://operawire.com/opera-theatre-saint-louis-2024-review-julius-caesar/

(Photo: Eric Woolsey) For their 2024 mainstage summer festival season, Opera Theatre Saint Louis (OTSL) paired two fixtures in top-ten performance frequency, “The Barber of Seville” and “La Bohème,” with two exciting, less offered menu items. Philip Glass’s “Galileo Galilei” (2002) received just its fourth staging anywhere, while George Frideric Händel’s operatic capolavoro, “Julius Caesar” (“Giulio Cesare in Egitto,” 1724) {…}

Reviews, Stage Reviews

Opera Theatre Saint Louis 2024 Review: La Bohème

https://operawire.com/opera-theatre-saint-louis-2024-review-la-boheme/

(Photo credit: Eric Woolsey) No matter the repertory selected, Opera Theatre Saint Louis’s (OTSL) 2024 season would have faced a significant challenge: following their memorable 2023 season and its refreshing inclusion of many singers of color. Surrounding a forgettable “Cosí Fan Tutte,” three productions made maximal artistic impact, including a fine “Tosca” starring Katie Van Kooten and Hunter Enoch as {…}

Reviews, Stage Reviews

Opera Theatre Saint Louis 2024 Review: The Barber of Seville

https://operawire.com/opera-theatre-saint-louis-2024-review-the-barber-of-seville/

(Photo credit: Eric Woolsey) “The Barber of Seville” can be tough to sit through. Opera Theatre Saint Louis (OTSL) swam upstream furiously against the libretto’s banalities to produce an entertaining show, with standout performances from Justin Austin in the title role, and Hongni Wu as Rosina. In youth, I received as a gift the London/Decca recording featuring Leo Nucci as {…}

News

Joshua Blue, Justin Austin, Sarah Mesko & Paul Groves Lead Opera Theatre of Saint Louis’ 2024 Season

https://operawire.com/joshua-blue-justin-austin-sarah-mesko-paul-groves-lead-opera-theatre-of-saint-louis-2024-season/

The Opera Theatre of Saint Louis has announced its 2024 season. The season opens with Rossini’s “The Barber of Seville“ conducted by Jonathan Brandani and directed by Eric Sean Fogel. The work will star Justin Austin, Hongni Wu, and Nathan Stark. Performance Dates: May 25-June 29, 2024 Joshua Blue, Katerina Burton, Thomas Glass, and Brittany Renee lead Puccini’s “La Bohème.” {…}

Reviews, Stage Reviews

The Atlanta Opera 2025 Review: Semele

https://operawire.com/the-atlanta-opera-2025-review-semele/

(Photo credit Raftermen Photography) The Atlanta Opera (TAO) closed their 2024-25 mainstage season with Georg Frideric Handel’s 1744 semi-oratorio, or quasi-opera, “Semele.” General Director Tomer Zvulun structured the season around art’s transnational commonplace, the Hero’s Journey. But interestingly, all four works selected also play with genre and they address the nearly unanswerable question, ‘what is opera, anyway?’ They began with {…}

News

Here are Opera San José’s 2025-26 Artists-in-Residence

https://operawire.com/here-are-opera-san-joses-2025-26-artists-in-residence/

Opera San José has named its 2025-26 Artists-in-Residence. The artists include Joanne Evans (mezzo-soprano), Emily Michiko Jensen (soprano), Nicole Koh (soprano), Noah Lindquist (conductor), Courtney Miller (mezzo-soprano), Benjamin Ruiz (tenor), and MarkAnthony Vallejo (director). They will be a part of the company’s four mainstage productions, community engagements, and will also receive personalized mentorship, free housing during their residencies. “This remarkable {…}

Reviews, Stage Reviews

The Atlanta Opera 2024-25 Review: ‘Siegfried’

https://operawire.com/the-atlanta-opera-2024-25-review-siegfried/

(Photo credit Raftermen Photography) Your reviewer spent childhood in the hills about fifty miles west of Atlanta, Georgia. Atlanta then and Atlanta now constitute two different places. In the before-time that preceded the internet, Georgia’s small-town folk with their gaze fixed towards the rest of the world viewed Atlanta as the portal to everything else, not least by way of {…}

News

Julie Roset, Sabine Devieilhe, & Reginald Mobley Lead Saint-Denis Festival 2025

https://operawire.com/julie-roset-sabine-devieilhe-reginald-mobley-lead-saint-denis-festival-2025/

Saint-Denis Festival has released details of its 2025 season. This year the festival puts women in the spotlight, as a “demonstration of the important place that women now occupy in the musical world, particularly in orchestral conducting.” Only vocal works are included in this article. First up is a preview concert featuring Apolline Raï-Westphal, Louise Bourgeat-Roulleau, Jordan Mouaïssia, Léo Guillou-Keredan, {…}