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Reviews, Stage Reviews

Macerata Opera Festival 2025: ‘La Vedova Allegra’ (The Merry Widow)

https://operawire.com/macerata-opera-festival-2025-la-vedova-allegra-the-merry-widow/

(Photo: Alia Simoncini) “The Merry Widow,” an operetta in three acts by Franz Lehár with libretto by Victor Léon and Leo Stein, is based on Henri Meilhac’s comedy play “L’Attaché d’ambassade” (1861). The first performance took place in Vienna, Theater an der Wien, on December 30, 1905. The operetta’s newest Italian version production was featured at this season’s Macerata Opera {…}

Reviews, Stage Reviews

Rossini Opera Festival 2023 Review: Adelaide di Borgogna

https://operawire.com/rossini-opera-festival-2023-review-adelaide-di-borgogna/

(Photo: Amati Bacciardi) As the orchestra begins the overture of Rossini’s 1817 opera “Adelaide di Borgogna,” the curtain rises to reveal a busy stage with the stagehands running about, moving scenery and props. The singers are scattered about the stage. Some are preparing themselves for a rehearsal, while others are getting a drink from the vending machine or chatting among {…}

Reviews, Stage Reviews

Teatro la Fenice 2018-19 Review: Il Re Pastore

https://operawire.com/teatro-la-fenice-2018-19-review-il-re-pastore/

Following on from its production of “Il Sogno di Scipione,” Venice’s La Fenice staged another Mozart rarity, “Il Re Pastore.” Although being a more mature work, the two operas share many characteristics; both were set to a libretto by Metastasio, written for sopranos and tenor voices (although in the latter work the role of Aminta was written for a castrato, {…}