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Reviews, Stage Reviews

Theater Koblenz 2025-26 Review: Antony and Cleopatra

https://operawire.com/theater-koblenz-2025-26-review-antony-and-cleopatra/

(Photo: Matthias Baus) “Antony and Cleopatra” is not a subject matter one might readily expect for an opera by John Adams. Primarily a love story, it does not fit easily alongside the other operas in his catalogue, which focus on religio-philosophical issues or significant, recent events impacting the USA. By comparison, Antony and Cleopatra’s intense, turbulant, ultimately doomed relationship appears {…}

News, Season Announcement

Philharmonie Luxembourg Announces 2026-27 Season Featuring Andrè Schuen, Magdalena Kožená, Christian Gerhaher, Julia Lezhneva, Franco Fagioli

https://operawire.com/philharmonie-luxembourg-announces-2026-27-season-featuring-andre-schuen-magdalena-kozena-christian-gerhaher-julia-lezhneva-franco-fagioli/

The Philharmonie Luxembourg has announced its 2026-27 season. Here are the vocal performances. The Cleveland Orchestra under Franz Welser-Möst perform works by Strauss with Golda Schultz as the soloist.  Performance Sate: Oct. 5, 2026 Elionor Martínez and Josep Maria Martí Duran join forces for works by Caccini, Campmany, Dowland, Ferrabosco, Händel, Hidalgo, Monteverdi, Nicholson, Purcell, and Strozzi. Performance Sate: Oct. 27, {…}

News, Season Announcement

Juan Diego Flórez, Nadine Sierra, René Pape, Cecilia Bartoli, Franco Fagioli, Josep Bros, Lea Desandre, Magdalena Kožená & David Butt Philip Lead Palau de la Música Catalana’s 2026-27 Season

https://operawire.com/juan-diego-florez-nadine-sierra-rene-pape-cecilia-bartoli-franco-fagioli-josep-bros-lea-desandre-magdalena-kozena-david-butt-philip-lead-palau-de-la-musica-catalanas-2026-27-season/

The Palau de la Musica Catalana has announced its 2026-27 season. Here are the vocal performances. Pianist Albert Guinovart leads concert with Cor de Cambra Femení Scherzo and conductor Esteve Nabona in music by A. Guinovart. Performance Date: Oct. 1, 2026 Alba Valdivieso, joins forces with instrumentalists Seungyeon Baik,Patricia Cordero, Noelia Cotuna, Jéssica Duarte, Gugg Piano Duo, Duo Jiménez-Berlinches,  and Ot {…}

Reviews, Stage Reviews

Opernhaus Zürich 2025-26 Review: La Clemenza di Tito

https://operawire.com/opernhaus-zurich-2025-26-review-la-clemenza-di-tito/

(Photo: Toni Suter) Wolfgang Amadeus Mozart wrote “La clemenza di Tito” in 1791, the year of his death, to celebrate the coronation of Leopold II, Holy Roman Emperor, as King of Bohemia. The libretto, adapted from Metastasio, celebrates the Roman Emperor Tito as a magnanimous and forgiving ruler; this was particularly apt for the enlightened monarch Leopold, who governed through {…}

News, Season Announcement

Benjamin Bernheim, Sabine Devieilhe, Olga Peretyatko, Magdalena Kožená, Klaus Florian Vogt, Nadine Sierra, Elza van den Heever, Michael Volle & Miina-Liisa Värelä Lead Philharmonie de Paris’ 2026-27 Season

https://operawire.com/benjamin-bernheim-sabine-devieilhe-olga-peretyatko-magdalena-kozena-klaus-florian-vogt-nadine-sierra-elza-van-den-heever-michael-volle-miina-liisa-varela-lead-philharmonie-de-paris-2026-27/

The Philharmonie de Paris has announced its 2026-27 season. Here are the vocal performances for the season. Yannick Nezet-Seguin will conduct Elza van den Heever and the Met Orchestra in a program of Strauss music. Performance Date: Sept. 1, 2026 Yannick Nezet-Seguin and Joyce DiDonato team up with the Met Orchestra for Mahler and Kaija Saariaho. Performance Date: Sept. 2, {…}

News, Season Announcement

Anna Netrebko, Elīna Garanča, Benjamin Bernheim, Derek Welton, Gerald Finley, Freddie de Tommaso, Rachel Willis-Sørensen, & Piotr Beczała Lead Wiener Konzerthaus’ 2026-27 Season

https://operawire.com/anna-netrebko-elina-garanca-benjamin-bernheim-derek-welton-gerald-finley-freddie-de-tommaso-rachel-willis-sorensen-piotr-beczala-lead-wiener-konzerthaus-2026-27-season/

The Wiener Konzerthaus has announced its 2026-27 season. Here is a look at the vocal performances. VOCES8 leads a program of music by William Byrd, Virgil Thomson, Caroline Shaw, Morten Lauridsen, William Billings, Bobby McFerrin, Eric Whitacre, Taylor Scott Davis, Samuel Barber, Richard Rodgers, and Billy Strayhorn.  Performance Date: Sept. 16, 2026 The Mahler Academy Orchestra will be joined by Fleur Barron and Philipp von Steinaecker in music by Mahler. Performance {…}

News, Season Announcement

Lisette Oropesa, Brian Jagde, Rachel Willis-Sørensen, Clay Hilley & Benjamin Bernheim Lead Accademia di Santa Cecilia’s 2026-27 Season

https://operawire.com/lisette-oropesa-brian-jagde-rachel-willis-sorensen-clay-hilley-benjamin-bernheim-lead-accademia-di-santa-cecilias-2026-27-season/

The Orchestra and Chorus of the Accademia di Santa Cecilia have announced its 2026-27 season. Here are the vocal performances. Concerts Daniel Harding conducts Vincent Huguet’s production of Wagner’s “Siegfried” with Clay Hilley, Wolfgang Ablinger-Sperrhacke, Michael Volle, Wolfgang Koch, Falk Struckmann, Anna Kissjudit, Elisabet Strid, and Lysa Menu.  Performance Dates: Oct. 21-27, 2026 Alexander Soddy conducts Elsa Benoit in a program of music by Dukas, {…}

News

Cape Town Opera Earns 13 Naledi Award Nominations

https://operawire.com/cape-town-opera-earns-13-naledi-award-nominations/

Cape Town Opera (CTO) has secured 13 nominations at the Naledi Awards for the acclaimed production of “My Fair Lady,” presented at Artscape between December 2024 and January 2025 by Pieter Toerien Productions in association with Cape Town Opera. CTO House Soloist Brittany Smith earned a Best Lead Performance – Female nomination for her portrayal of Eliza Doolittle, while Craig {…}

Special Features

Shawna Lucey & Alma Deutscher on Leading Opera San José’s ‘Cav / Pag’ Double Bill

https://operawire.com/shawna-lucey-alma-deutscher-on-leading-opera-san-joses-cav-pag-double-bill/

This February, Opera San José is set to open the famed double bill of “Cavalleria Rusticana” and Pagliacci.” These highly dramatic verismo operas are notable as stories in which women’s fidelity and sexuality are called into question by the male-directed societies. Men have the upper hand in these operas and their machismo views of fidelity, as well as their lust {…}