4 search results for…

Reviews, Stage Reviews

Händel-Festspiele Halle 2026 Review: Rinaldo (Double-Feature)

https://operawire.com/handel-festspiele-halle-2026-review-rinaldo-double-feature/

(Photo: Anna Kolata) The 2026 Händel-Festspiele presented a unique double-feature of Handel’s breakout 1711 masterpiece, “Rinaldo.” By showcasing two radically different formats—traditional Italian puppetry and a metatheatrical re-contextualization at Oper Halle—the festival offered audiences a rare opportunity to compare two staged productions. While one production embraced the “primitive” theatrical tools of the past to unlock the opera’s raw, historical energy, {…}

Reviews, Stage Reviews

Wexford Festival Opera 2022 Review: Armida

https://operawire.com/wexford-festival-opera-2022-review-armida/

(Photo: Clive Barda) Of Dvorak’s 10 operas, only “Rusalka” receives regular stagings outside his Czech homeland. Listening to the recordings of his other operas, it is not clear as to why this should be the case. Certainly, the dramatic quality of the music is strong and contains plenty of engaging melodies, and they would certainly bear comparison with many operas {…}

News

Taras Konoshchenko & Andromahl Raptis Highlight Staatstheater Nürnberg’s 2019-20 Season

https://operawire.com/taras-konoshchenko-andromahl-raptis-highlight-staatstheater-nurnbergs-2019-20-season/

Staatstheater Nürnberg has announced its 2019-20 season, which will include a number of premieres. Premieres The season will open with Verdi’s “Don Carlos,” directed by Jens-Daniel Herzog. The cast will feature Tadeusz Szlenkier in the title role, alongside Nicolai Karnolsky as Philip II King of Spain, Emily Newton as Elisabeth of Valois, Martina Dike as Princess Eboli, Sangmin Lee as {…}

Reviews, Stage Reviews

Gran Teatre del Liceu 2017-18 Review – Demon: The Devil’s In The Detail – Or Lack Thereof.

https://operawire.com/gran-teatre-del-liceu-2017-18-review-demon-the-devils-in-the-detail-or-lack-thereof/

For most opera connoisseurs west of Kaliningrad, the name Anton Rubinstein is unlikely to ring many glockenspiels. This acclaimed composer and pianist, considered the virtuosic equal of Liszt, actually wrote twice as many operas as Puccini but outside Russia, his music is virtually unknown. Productions in the west of his most successful opera “Demon” are as rare as a real Romanov. {…}