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Behind the Scenes, Interviews

Q & A: Peter Whelan on Händel’s ‘Tolomeo,’ the Caramoor Festival & Early Music

https://operawire.com/q-a-peter-whelan-on-handels-tolomeo-the-caramoor-festival-early-music/

Olivier Award winner, Peter Whelan, is known as one of the most dynamic and versatile exponents of historical performance of his generation. He is currently the Artistic Director of Irish Baroque Orchestra and Curator for Early Music of Norwegian Wind Ensemble. In addition to taking up the role of Artistic Partner with National Symphony Orchestra Ireland in January 2026 and {…}

Reviews, Stage Reviews

Händel-Festspiele Halle 2026 Review: Aci, Galatea e Polifemo

https://operawire.com/handel-festspiele-halle-2026-review-aci-galatea-e-polifemo/

(Photo Credit: Philippe Matsas) The presentation of the 2026 Handel Prize to René Jacobs was a profound validation of historical inquiry made flesh, rendered all the more poignant by the maestro’s heartening return to health. Celebrated for his intellectual rigor and uncanny dramatic instinct, Jacobs marked the ceremony with a concert program that epitomized his lifelong artistic vision and relentless {…}

Reviews, Stage Reviews

Händel-Festspiele Halle 2026: Bajazet, Der gebrochene Held

https://operawire.com/handel-festspiele-halle-2026-bajazet-der-gebrochene-held/

(Photo: © Barbara Anmüller) The curatorial blueprint for “Bajazet: Der gebrochene Held” was exceptionally well-considered, seamlessly weaving the shared Bajazet/Tamerlano themes of Händel, Gasparini, and Vivaldi into the overarching narrative of the 2026 Halle Handel Festival. Under Michael Schneider, La Stagione Frankfurt joined forces with tenor Samuel Boden and soprano Kateryna Kasper. However, as the live performance unfolded, the evening {…}

Reviews, Stage Reviews

Händel-Festspiele Halle 2026 Review: Römische Freund und Feindschaften

https://operawire.com/handel-festspiele-halle-2026-review-romische-freund-und-feindschaften/

(Credit: © Silvia Frigato) Just two violins, a cello, a chitarrone, and a harpsichord alongside a single soprano, nestled within the elegant architecture of the Franckesche Stiftungen, actively transported the audience back to the highly refined, intellectual settings of early 18th-century Roman salons. This beautifully crafted program by Concerto Italiano under Rinaldo Alessandrini mapped the rich cultural patronage of Cardinal {…}

Reviews, Stage Reviews

Händel-Festspiele Halle 2026 Review: Judas Maccabeaus

https://operawire.com/handel-festspiele-halle-2026-review-judas-maccabeaus/

(Credit:Thomas Ziegler ) Written in the wake of the Jacobite rising to celebrate the Duke of Cumberland’s victory, the Händel’s oratorio “Judas Maccabaeus” inherently carries a nearly dynastic majesty. In the hands of conductor Holger Speck, the baroque ensemble Les Favorites, and the Vocalensemble Rastatt, avoided the pitfall of simple martial reading, but into a multi-layered human drama. Speck chose {…}

Reviews, Stage Reviews

Händel-Festspiele Halle 2026 Review: L’Allegro, il Penseroso ed il Moderato

https://operawire.com/handel-festspiele-halle-2026-review-lallegro-il-penseroso-ed-il-moderato/

(Credit: Anna Kolata) When Händel laid aside the nascent blueprint of “Messiah” in the freezing winter of 1740, he was chasing, as Charles Jennens noted, “something of a gayer turn.” That pivotal decision birthed “L’Allegro, il Penseroso ed il Moderato,” a narrative-free oratorio that treats music like a painter’s canvas. Performing in the austere yet acoustically challenging space of the {…}

Reviews, Stage Reviews

Händel-Festspiele Halle 2026: Radamisto

https://operawire.com/handel-festspiele-halle-2026-radamisto/

(Credit: Thomas Ziegler) The true gauge of a festival’s artistic mettle is probably how it tackles a crisis. Faced with the sudden morning-of illness of star countertenor Max Emanuel Cenčić, the Halle Handel Festival managed to rescue a non-standard Handel opera like “Radamisto.” With a mere four hours to prepare, conductor Benjamin Bayl and the Wrocław Baroque Orchestra worked tightly {…}

Reviews, Stage Reviews

Händel-Festspiele Halle 2026 Review: Ariodante

https://operawire.com/handel-festspiele-halle-2026-review-ariodante/

(Photo Credit:  © Anna Kolata) Arguably the most heavyweight highlight of the entire festival, this performance of Händel’s “Ariodante” assembled a stellar cast that uniquely included two laureates of the prestigious Halle Handel Prize, Magdalena Kožená and Andrea Marcon. Adding to the evening’s historical significance was the rare opportunity to hear the 1735 London version ending. However, the acoustic condition {…}

Reviews, Stage Reviews

Händel-Festspiele Halle 2026 Review: Talestri, regina delle Amazzoni (1760)

https://operawire.com/handel-festspiele-halle-2026-review-talestri-regina-delle-amazzoni-1760/

(Photo: Anna Kolata) History is not entirely devoid of female composers. Similarly, history books readily note reigning monarchs who successfully wielded the musical quill. Yet, the convergence of the two remains an exceedingly rare phenomenon. Under the baton of Attilio Cremonesi, the Handel Festival Orchestra Halle brought this rarity to vibrant life. Their performance of Maria Antonia Walpurgis’s 1760 opera {…}