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Reviews, Stage Reviews

Glyndebourne Opera Festival 2024 Review: Tristan und Isolde

https://operawire.com/glyndebourne-opera-festival-2024-review-tristan-und-isolde/

(Photo credit: Glyndebourne’s own official trailer highlights its festival as “No Ordinary Opera”. Certainly, the staging for “Tristan und Isolde” is far from ordinary, courtesy of a visually entrancing setting by Ronald Aeschlimann. The performers are basically encased in an elliptical vortex-type form of concentric circles, which I interpreted to be a depiction of some portal-like presence intended to illustrate {…}

Reviews, Stage Reviews

Glyndebourne Opera Festival 2023-24 Review: Don Giovanni

https://operawire.com/glyndebourne-opera-festival-2023-24-review-don-giovanni/

© Glyndebourne Productions Ltd. Photo: Richard Hubert Smith Trigger warning: Mozart aficionados, look away now. One might think Wolfgang Amadeus to be somewhat overrated, and the fact that he was hugely prolific, widely acknowledged to be a prodigy and is almost globally asserted to have been a genius, does little by way of endearing his music to my ear. I {…}

News

Glyndebourne Opera Festival Announces 2018 Festival

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The Glyndebourne Opera Festival has announced its 2018 schedule. The company announced that next season it will present Puccini’s “Madama Butterfly” in Annilese Miskimmon’s Tour 2016 production. The production will make its Festival debut and will be conducted by Omer Meir Wellber. Strauss’ “Der Rosenkavalier” will be revived with the 2014 Richard Jones production making its return. Robin Ticciati conducts. Following {…}

Reviews, Stage Reviews

Glyndebourne Festival Opera 2026 Review: Billy Budd

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(© Glyndebourne Productions Ltd. Photo: Tristram Kenton)  Lash your picnic baskets to the deck: Benjamin Britten’s “Billy Budd” — the tangled morality tale of innocence and cruelty aboard a Napoleonic-era Man-of-War with words by E.M. Forster and Eric Crozier — has set sail once again at the Glyndebourne Festival. Michael Grandage’s production from 2010 was the company’s first staging of {…}

Reviews, Stage Reviews

Glyndebourne Festival Opera 2025 Review: La Bohème

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(Photo: Marc Brenner) Considered one of the most beloved and frequently performed operas in the world, “La Bohème” is the perfect blend of  exquisite music, timeless tales, and romantic themes, an ideal first opera for any budding enthusiast. Its incarnations have included a rock musical, placing the opera in space, in a hospital, as well as a setting based in {…}

Reviews, Stage Reviews

Glyndebourne Festival Opera Review 2025: Le Nozze di Figaro

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(© Glyndebourne Productions Ltd. Photography by Richard Hubert Smith) By the time the current run of “Le nozze di Figaro” is concluded, Glyndebourne will have hosted its 600th performance of Mozart and Da Ponte’s perennial masterpiece. The opera launched the  country house enterprise in 1934 at the behest of Fritz Busch and Rudolf Bing, who wisely cautioned against Christie’s Wagner-shaped {…}

Reviews, Stage Reviews

Glyndebourne Festival Opera Review 2025: Parsifal

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(Photo: Richard Hubert Smith) A new production of Wagner’s “Parsifal” is always a big deal, given the imaginative and actual scale of the work and the special aura that surrounds it – a triumph of Bayreuth marketing, truly, to try and restrict its performances for so many years. But this new staging at Glyndebourne Festival Opera signals the first time {…}

Reviews, Stage Reviews

Glyndebourne Festival Opera Review 2024: Carmen

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(Photo: © Glyndebourne Productions Ltd. Photography by Richard Hubert Smith) “Carmen” is unquestionably one of the most popular works ever composed and has become an almost permanent fixture in the repertoire of opera houses. However, this presents something of a dilemma for those creative artists and directors who desire to produce the opera in a more contemporary setting and feel {…}

Reviews, Stage Reviews

Glyndebourne Festival Opera 2024 Review: The Merry Widow

https://operawire.com/glyndebourne-festival-opera-2024-review-the-merry-widow/

(Photo © Glyndebourne Productions Ltd. Photo: Tristram Kenton) There was much to fuel the excitement around a brand new production of Franz Lehár’s “The Merry Widow” for Glyndebourne Festival Opera this year. It’s the first time the work has ever been mounted there, and it’s always a treat to see what the slickly-oiled operatic operation, with its six weeks of {…}