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Reviews, Stage Reviews

Teatro alla Scala 2024-25 Review: Siegfried

https://operawire.com/teatro-alla-scala-2025-review-siegfried/

(Photo Credit: Brescia e Amisano ©) This “Siegfried”… a popular musical in myth? Given the audience’s warmly animated reactions, as one witnessed upon attending various performances of its run, it would appear so. The lively, evocative melodic themes in this, the third of four operas of “Der Ring des Nibelungen,” are sustained by all the symbolic ingredients of a fairy {…}

Reviews, Stage Reviews

Teatro Alla Scala 2024-25 Review: Die Walküre

https://operawire.com/teatro-alla-scala-2024-25-review-die-walkure/

(Credits: Brescia e Amisano) ‘The error in the art-genre of Opera consists herein – a Means of expression (Music) has been made the objective, while the End of expression (the Drama) has been made a means.’ – Richard Wagner “Opera and Drama” (1851)   Words and Tones, A Drama Must Make Wagner is difficult, though he attempted, through a lifetime {…}

Reviews, Stage Reviews

Teatro alla Scala 2023-24 Review: Das Rheingold

https://operawire.com/teatro-alla-scala-2023-24-review-das-rheingold/

(Credits: Brescia e Amisano) This may be a Ring Cycle that will not make history, and Wagner’s monumental cycle has only just begun. As proposed by Milan’s Teatro alla Scala, the Prologue evening of “Das  Rheingold” displayed an almost complete lack of interesting, cohesive ideas concerning staging; somewhat complacent conducting; and shaky casting. This should serve as a warning of the {…}