(Photo: Michael Poehn) “Il Trovatore” is one of Verdi’s most celebrated operas, forming part of his “popular trilogy” alongside “La Traviata” and “Rigoletto,” all composed in the mid-19th century. Among the three, it is the least innovative, with characters that lack psychological depth or introspection, often conforming to operatic stereotypes—the valiant tenor, the virtuous soprano, and the sinister baritone. A {…}