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Reviews, Stage Reviews

Glyndebourne Opera Festival 2024 Review: Tristan und Isolde

https://operawire.com/glyndebourne-opera-festival-2024-review-tristan-und-isolde/

(Photo credit: Glyndebourne’s own official trailer highlights its festival as “No Ordinary Opera”. Certainly, the staging for “Tristan und Isolde” is far from ordinary, courtesy of a visually entrancing setting by Ronald Aeschlimann. The performers are basically encased in an elliptical vortex-type form of concentric circles, which I interpreted to be a depiction of some portal-like presence intended to illustrate {…}

Reviews, Stage Reviews

Royal Opera House 2021-22 Review: Madama Butterfly

https://operawire.com/royal-opera-house-2021-22-review-madama-butterfly/

Undeniably the big story of this production of the Royal Opera House’s “Madama Butterfly,” as directed by Moshe Leiser and Patrice Caurier, was that revival director Daniel Dooner would work to create a dialogue around the work’s most problematic aspects. Such a program involved extensive instruction workshops designed to teach the cast playing Japanese characters how to move, act, laugh, {…}

Reviews, Stage Reviews

Royal Opera House 2021-22 Review: Don Pasquale

https://operawire.com/royal-opera-house-review-2021-22-don-pasquale/

(Credit: © 2022 ROH. Bill Cooper) Damiano Michieletto’s new production of Gaetano Donizetti’s “Don Pasquale” first hit the Royal Opera House stage in 2019, and now finds itself revived by Daniel Dooner. It’s a taut and challenging production of a work whose petty cruelties and incipient viciousness tend to be smoothed out by caricature, slapstick, and the desire to give {…}

Reviews, Stage Reviews

Glyndebourne Festival 2021 Review: Tristan und Isolde

https://operawire.com/glyndebourne-festival-2021-review-tristan-und-isolde/

(Credit: © Glyndebourne Productions Ltd. Photo: Bill Cooper) Glyndebourne’s final production of this year’s festival is a semi-staged realization of Richard Wagner’s “Tristan und Isolde,” conceived by Daniel Dooner and featuring Glyndebourne music director Robin Ticciati in the pit, accompanied by their resident orchestra the London Philharmonic Orchestra. It’s a production that boldly sets out several role debuts, in Simon {…}