(Photo: Mirco Magliocca) The Versailles Royal Opera successfully staged one of the most curious titles of the eighteenth century: Baldassare Galuppi and Piero Chiari’s “L’uomo Femina.” Galuppi, once a popular Venetian composer—especially known for what is now recognized as opera buffa—has largely fallen into obscurity. Today, his name resonates only among the most hardcore early music enthusiasts—the same audiences likely {…}