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Reviews, Stage Reviews

Opéra National de Paris 2025-26 Review: Eugene Onegin

https://operawire.com/opera-national-de-paris-2025-26-review-eugene-onegin/

(Credit: © Guergana Damianova – OnP) Ralph Fiennes knows a thing or two about Alexander Pushkin’s novel in verse, “Eugene Onegin.” It turns out he has a touch for opera, too, based on his directorial debut at the Paris Opera. His staging of Tchaikovsky’s “Eugene Onegin” at the Palais Garnier is rooted in tradition, but he controlled the action on {…}

Reviews, Stage Reviews

Royal Opera 2024-25 Review: ‘Trouble in Tahiti’ & ‘A Quiet Place’

https://operawire.com/royal-opera-2024-review-trouble-in-tahiti-a-quiet-place/

(Photo: ©2024 Marc Brenner) It is the first time The Royal Opera have staged Leonard Bernstein’s valedictory operatic double-bill of “Trouble in Tahiti” and “A Quiet Place,” presented in the Linbury Theatre. It is conducted by Nicholas Chalmers, who is also making his Covent Garden debut, and directed by Oliver Mears.  “Trouble in Tahiti” is from 1954, and is separated {…}

Reviews, Stage Reviews

Opernhaus Zürich 2023-24 Review: L’Orfeo

https://operawire.com/opernhaus-zurich-2023-24-review-lorfeo/

(Photo: Monika Rittershouse) Opernhaus Zürich presents a new production of Claudio Monteverdi’s “L’Orfeo.” Premiered in 1607, “L’Orfeo” is not the first opera ever composed, but it is hailed as the first great opera. It stands out as the first to use music as a dramatic tool, employing diverse musical colors to express various emotional states. Its monumental success paved the {…}

Reviews, Stage Reviews

Royal Opera House 2022-23 Review: Il Trovatore

https://operawire.com/royal-opera-house-2022-23-review-il-trovatore/

If you’re not fully conversant with the tale that is the centerpiece of one of Giuseppe Verdi’s most celebrated and performed works, “Il Trovatore,” then I highly recommend a little further reading and research before attempting to digest this opera. It may well help to alleviate some of the confusion in following the plot. There’s little one can do, however, {…}

News

Royal Opera House Presents Robert Carsen’s ‘Aida’ Live in Cinemas

https://operawire.com/royal-opera-house-presents-robert-carsens-aida-live-in-cinemas/

The Royal Opera House will present Robert Carsen’s new production of Verdi’s “Aida” live in cinemas on Oct. 12. The live broadcast from Covent Garden will reach over 1,000 cinemas in 34 countries around the world. Carsen’s large-scale production of Verdi’s political drama is set within a modern totalitarian government and explores public duty versus private passions. He is joined {…}

News

The Royal Opera House Announces Cast for ‘The Rape of Lucretia’

https://operawire.com/the-royal-opera-house-announces-cast-for-the-rape-of-lucretia/

The Royal Opera House has announced the full casting for Britten’s “The Rape of Lucretia.” The opera, which opens on Oct. 29 at Britten Pears Arts, Snape Maltings before heading to the Linbury Theatre, Royal Opera House on Nov. 13, will star Anne Marie Stanley in the title role. She will be joined by Carolyn Holt, Sarah Dufresne, Jolyon Loy, {…}

Reviews, Stage Reviews

English National Opera 2021-22 Review: The Handmaid’s Tale

https://operawire.com/english-national-opera-2021-22-review-the-handmaids-tale/

(Photo: Catherine Ashmore) Such has been the success of Margret Atwood’s novel “The Handmaid’s Tale” that, since its publication in 1985, it now finds itself positioned alongside other major 20th century dystopian novels, drawing comparisons with Orwell’s “1984” and Huxley’s “Brave New World.” Like them, it has entered the cultural mainstream, spawning plays, films, a ballet, a major television series, {…}