(Photo credit: Adrien Coquet) Dr. Caitlin Vincent (University of Melbourne) and Dr. Amanda Coles (Deakin University) have published their findings on the gender inequality and the impacts of non-standard work in the US opera industry. The team tracked women’s representation as conductors, directors, and designers at the 11 largest opera companies in the United States – the Metropolitan Opera, Santa Fe {…}
The Metropolitan Opera announced its free simulcast of the opening night and season- launching performance of Terence Blanchard’s “Fire Shut Up in My Bones.” The simulcast will take place Monday, Sept. 27 at 6:30 p.m. ET in Harlem’s Marcus Garvey Park. There will be nearly 1,700 seats available at Marcus Garvey Park with approximately 2,000 seats also available in Times {…}
(Photo: Adi Goldstein) Every Friday, Polina Lyapustina delivers a short essay on some of the most essential topics in the industry with the intent of establishing a dialogue about the opera world and its future. Another week passed, and the negotiations that the Met and International Alliance of Theatrical Stage Employees started with a supposed June 14 deadline to start the Met {…}
Every Friday, Polina Lyapustina delivers a short essay on some of the most essential topics in the industry with the intent of establishing a dialogue about the opera world and its future. This week, AGMA announced that a four-year agreement was approved by union leadership after a tentative agreement (starting on May 11, 2021) and following a shop vote of all the {…}
WQXR, New York City’s only all-classical radio station, announced four platforms to aid the city’s creative community and sustain the arts culture for which The Big Apple is famous. The station’s multi-pronged approach named STAR (Salutes The ARts) represents the first initiative led by WQXR’s new Chief Content Officer and Senior Vice President, Ed Yim. STAR comprises four initiatives: the {…}
After weeks maintaining the mysterious TBA in its cast list for its upcoming performances of “La Traviata,” the Metropolitan Opera has announced Vittorio Grigolo’s replacement. And the man to take on the role will be Italian tenor Piero Pretti, who Met audiences are just getting to know. Pretti made his Metropolitan Opera debut this season in a revival of “Madama {…}
On June 4, the Stern Auditorium/Perelman Stage of Carnegie Hall was host to a musical feast, as performed by The MET Orchestra under the baton of its new conductor and music director, Yannick Nezet-Seguin. The evening’s program was comprised of works from French composers Debussy, Ravel, and Dutilleux, all of which allowed for an abundance of expression. With guest star {…}
On Saturday, April 21, 2018, superstar soprano Anna Netrebko will make her role debut as “Tosca” at the Metropolitan Opera. The role of the famed diva will be the 20th role of Netrebko’s Met career, but shockingly, it will only be the third time she makes a role debut with the company. Throughout her career, Netrebko has had the tendency {…}
Opera Grand Rapids’ production of “The Barber of Seville” will feature the Met’s very own mezzo, Ginger Costa-Jackson. Costa-Jackson has previously performed in several productions at the Metropolitan Opera, including Mascagni’s “Cavalleria Rusticana” and Bizet’s “Carmen.” For the May 12th and 13th performances of “The Barber of Seville” the Sicilian-born mezzo-soprano will hit the Devos Performance Hall as Rosina, the {…}