The Tulsa Opera will premiere a new production of “Salome” on April 29 and May 1, 2022 at the Tulsa Performing Arts Center. The cast of this production stars Julia Mintzer, Wayne Tigges, Jay Hunter Morris, Katharine Goeldner, César Delgado, Kevin Thompson, Ryan Belongie, Kevin Thompson, Spencer Hamlin, Ashraf Sewailam, Pavel Suliandziga, Makudupanyane Senaoana, Marc Molomot, Jason Ferrante, and Joe {…}
(Credit: Kristin Hoebermann) The Bard College Conservatory of Music is set to present Strauss’ “Salome.” Adapted from Oscar Wilde’s one-act play, “Salome” depicts the biblical story of Salome, the Judean princess who demanded, and obtained, the head of St. John the Baptist. Bard Visiting Associate Professor of Music Peter Laki writes that the first performance of “Salome,” given in Dresden {…}
(Credit: Breeanne Clowdus) Tulsa Opera has announced a major cast change for its upcoming production of “Salome.” The organization noted that tenor Jay Hunter Morris will be taking on the role of Herod, replacing Anthony Dean Griffey who was originally cast in the part. Morris is also set to take on the role with the Bard Conservatory Orchestra in a {…}
The Festival D’Aix-En-Provence has announced its 2022 slate featuring a varied repertoire and international stars. The festival will begin on July 4 and is set to run through July 23, 2022. Here is a look at the upcoming season: Mahler’s “Resurrection” will be conducted by Esa-Pekka Salonen in a production by Romeo Castellucci. Golda Schultz and Marianne Crebassa star. Performance {…}
Tiroler Landestheater in Innsbruck, Austria has announced its 2021-22 season featuring theater, opera, symphony and dance. For the purposes of this article, we will only focus on vocal and operatic performances. The season with Péter Eötvös’s “Der goldene Drache” with Hansjörg Sofka conducting a production by Björn Reinke. Performance Dates: Oct. 16-Dec. 17, 2021 Piazzolla’s “Maria de Buenos Aires” will be directed {…}
“Page to Opera Stage” looks at stories – real-life or fiction, old and new – that have inspired operas, and the ways these narratives have been edited and dramatized to fit a new medium. This week, we look at a theatrical work adapted for opera: Oscar Wilde’s often-banned “Salome” and Richard Strauss’ no-less-controversial operatic reworking. Over the past few weeks, {…}
(Credit: Riccardo Chailly’s official website) Riccardo Chailly, Music Director of the Teatro alla Scala, will replace famed conductor Zubin Mehta for the live-streamed performance of Richard Strauss’ “Salome” on Feb. 20, 2021. Per an official press release, Mehta was discharged from the hospital on Jan. 15 in good health and there was hope that the conductor would be able to {…}
(Credit: LA Philharmonic) Maestro Zubin Mehta was taken to hospital after he felt sick during a rehearsal of Strauss’ “Salome” on Feb. 13. The first medical check-ups were performed, and Italian doctors believe that Maestro Mehta suffers from accumulated stress due to the numerous work commitments. Mehta, who suffered from a kidney tumor in recent years and has since recovered, {…}
(Credits: Ilia Korotkov / Bayerische Staatsoper official website) The Mariinsky Theatre will live stream a performance of Prokofiev’s opera “The Fiery Angel” on MEZZO TV on Jan. 31 at 5:30 p.m. CET. The opera will star Elena Stikhina, Evgeny Nikitin, Anna Kiknadze, Evgeny Akimov, and Mikhail Petrenko. Valery Gergiev will conduct the Mariinsky Theatre Orchestra in the production by David {…}
The Teatro alla Scala has announced that a production of R. Strauss’ “Salome” will be streamed on Feb. 20, 2021. The new production by Damiano Michieletto was set to open on March 8, 2020, but was canceled due to COVID-19. The production had already been in rehearsals when the production was canceled and was originally set to star Malin Bystrom and {…}
(Credit: Linda Rabisch) When COVID-19 struck in March 2020, one of the final “live” performances to take the stage was a production of Dvořák’s “Rusalka” in Krefeld, Germany with dramatic soprano Dorothea Herbert in the title role. For her, the experience was surreal. “We performed on that night in a totally empty theater. There was no audience, just the darkness {…}