MUY Teatro in Buenos Aires, Argentina is set to present Salieri’s “Primo la musica e poi le parole” on Sept. 24, 2023. Translated into Spanish as “Primero la música, después las palabras,” the showcase will be featured through Oct. 8, 2023, at Humahuaca 4310. The opera will star Guido Cavallo, Mauricio Meren, Julieta Nicoletti, and Denise Pertusi with Mauro Reynoso {…}
Bampton Classical Opera has unveiled its 2023 season. It all kicks off with the double bill of Haydn’s “The Diva” and “The Apothecary” at St. Andrew’s Church in Aldoborough for its initial June performance. The operas will star Iúnó Connolly, Henry Ross, Guy Benyon, and Madeline Robinson. Mark Austin conducts and Jeremy Gray directs. Performance Date: June 15, 2023 Next {…}
Pentatone is set to release a new album by bass-baritone Adam Plachetka entitled “Molieri.” The album, which will be digitally released on all platforms worldwide on Oct. 28, 2022, will feature arias by Mozart and Salieri from such operas as “Le Nozze di Figaro,” “Falstaff, ossia Le tre burle,” “Don Giovanni,’ “La scuola de’ gelosi,” “La grotto di Trofonio,” “La {…}
Ian Page and the Mozartists will perform a live concert at Cadogan Hall in London on July 8, 2021. The showcase will feature mezzo-soprano Kitty Whately, who will perform “Non so se il mio peccato” from Myslivecek “Adamo ed Eva” and “E non degg’io seguirla… Lungi da te” from Salieri’s “Armida.” Whately is a Kathleen Ferrier Award winner, who has {…}
Salieri’s “Armida,” which had its world premiere in Vienna back in 1771, has never been fully recorded. That will all change later this year when Les Talens Lyriques releases the first full recording of the work on Jan. 22, 2021 and delivers its first modern performances in early 2021. The opera, which features a libretto by Marco Coltellini, will be {…}
(Photo: Michele Crosera) Contrary to popular rumor, it is very unlikely that Salieri and Mozart were on acrimonious terms, let alone enemies. As court composer to Emperor Joseph II, Salieri dominated Viennese musical society which he used to secure positions for Italian artists, which no doubt irritated the ambitious Mozart, but there is no evidence for any animosity between the {…}
Though his legacy is strongly tied to the negative and wildly fabricated portrayal in the play and film “Amadeus,” Antonio Salieri was a respected and notable composer in his own right. One opera that best represents the composer’s ability is “Armida,” which was first performed at the Vienna Burgtheater June 2, 1771. Salieri’s first opera, “Le Donne Letterate,” premiered to {…}
Antonio Salieri, born on August 18, 1750, had a solid career as a composer. Yet today, he is best-known for his appearance in the film “Amadeus.” The film, directed by Miloš Forman, was not only one of the most successful films based on classical music figures (it walked away with eight Academy Awards), but also one of the most influential. Its {…}
Poor Antonio Salieri. Born on August 18, 1750, the prolific composer’s fate in posterity has not been a kind one. Despite composing a plethora of operas that were quite popular at the time of his death, his legacy has unfortunately been linked to a legend that is far from true. You know the story: the composer was the rival of {…}
Lorenza da Ponte, born on March 10, 1749, is best known for three collaborations he had with Mozart. Those operas, “Le Nozze di Figaro,” “Don Giovanni” and “Così Fan Tutte” stand as some of the greatest in the repertoire, not only because of Mozart’s great music, but also as a result of Da Ponte’s brilliant dramatic skills. But the librettist {…}