(Photo: Fabrizio Sansoni) In 2005, Vlaamse Opera premiered the first part of the Giorgio Battistelli’s Shakespeare trilogy, “Richard III,” to widespread acclaim. It has since gone on to receive a number of productions across Europe, although it had to wait until 2018 to receive its Italian premiere at Venice’s La Fenice. OperaWire was present for the occasion, and for what {…}
(Credit: Yasuko Kageyama- Teatro dell’Opera di Roma) The Teatro dell’Opera di Roma has announced that it will open its 2020-21 season with a filmed version of “Il Barbiere di Siviglia.” The company announced that the new production by Mario Martone will be performed without an audience and will be streamed on Rai 5 on Dec. 5 and on New Year’s {…}
(Photo: Yasuko Kageyama-Teatro dell’Opera di Rome) Sergei Prokofiev finished his opera, “The Fiery Angel” in late 1927, and missed the deadline for its inclusion in the Stadtische Oper, Berlin’s 1927-28 season, leading to the cancelation of the contract. An abridged concert performance was given in 1928 in Paris, but Prokofiev was disappointed by its critical reception. Although there was tentative {…}
It is always interesting to come across a performance of one of Verdi’s lesser known works, although you cannot always be certain of what you will get. Normally, these works are rarely performed for a reason – namely because they are not particularly strong. “Un Giorno di Regno” immediately springs to mind. But sometimes there seems to be no apparent {…}
During the 19th century “Fra Diavolo,” written by Auber to a libretto by Scribe, was one of France’s most popular operas, amassing over 900 performances at the Opéra Comique, before finally being dropped from the repertoire in 1907. Nowadays, it has largely been forgotten, with only the occasional rare outing, of which Opera Roma’s is the latest offering. Yet, based {…}
This week the Rome Opera opens a new production of Bizet’s “Carmen” at the Caracalla with an intriguing young cast. However, what will be most excited to see is Argentine director Valentina Carrasco´s vision for the work. The Latin American director will bring her Latin flare to the famed Bizet opera in her first production, which will feature a Dia {…}