On Site Opera will present “Comedy and Tragedy Under the Stars” at Caramoor’s Venetian Theater on July 22 at 8 pm. The one-night-only performance will star Stephanie Blythe, Laquita Mitchell, and Maya Lahyani. First up, Blythe and Mitchell will share an adapted stage version of composer and librettist Rachel J. Peters’ “Lesson Plan,” which they premiered online this year via {…}
Portland Opera has announced its 2022-23 season. The season kicks off with Bizet’s “Carmen,” which will star Maya Lahyani, Matthew Pearce, Richard Ollarsaba, and Ariana Wehr. Michael Ellis Ingram conducts a production directed by Denyce Graves. Performance Dates: Nov. 5 & 13, 2022 Kamala Sankaram’s “Thumbprint” will premiere with Maya Kherani, Indira Mahajan, Alok Kumar, Omar, Najmi, and Samina Aslam {…}
(Credit: Moritz Schell Fotografie/Catherine Ashmore/Yasuko Kageyama / TOR) Three rarely performed works highlight the international weekend with three other repertory staples. There are also two new productions opening with one company premiere. Here is a look at what we recommend. Halka – Theater an der Wien, Austria Łukasz Borowicz conducts a new production of Moniuszko’s masterpiece. Mariusz Treliński directs the {…}
The Arizona Opera has announced its 2020-21 season featuring the company’s second World Premiere, the Regional Premiere of a New Mariachi Opera, a New Production of a Modern Masterwork and the Return of Two Beloved Classics. “Arizona Opera continues to deepen its commitment to presenting the most vibrant programming possible on our stages and throughout the community. This spans the {…}
(Credit: Dario Acosta) American Symphony Orchestra has announced its expanded 2019-20 season, which includes concerts at Carnegie Hall, Alice Tully Hall, and Symphony Space. For the purposes of this article, we will focus only on vocal performances. The season will kick off with Edward Elgar’s oratorio “The Kingdom” at Carnegie Hall, which will feature soprano Janai Brugger, mezzo-soprano Maya Lahyani, tenor {…}
Jules Massenet is one of the great composers that can’t be called an auteur in the traditional sense. When you go to any performance of music by virtually any composer, you can pretty much guarantee that said composer’s voice will come through consistently even if the means or style deviates ever so slightly. Verdi remains Verdi whether you are listening to {…}