(Credit: Marty Sohl / Met Opera) The Metropolitan Opera’s 2023–24 Live in HD season will continue with the live transmission of Verdi’s “Nabucco.” The broadcast, which will take place on Jan. 6, features Georgian baritone George Gagnidze in the title role alongside Ukrainian soprano Liudmyla Monastyrska as Abigaille. They are joined by Russian mezzo-soprano Maria Barakova, South Korean tenor SeokJong Baek, and {…}
(Credit: Marty Sohl / Met Opera) “Nabucco” returned to the Metropolitan Opera after a seven-year absence. The opera was set to return during the 2020-21 season but was canceled due to the pandemic. Now Verdi’s early gem is finally back in the company’s legendary Elijah Moshinsky production that has become emblematic of the Met’s grandeur and its gorgeous tableaus. Having {…}
(Credit: Marty Sohl/Metropolitan Opera) Elijah Moshinsky’s classic staging of Verdi’s “Nabucco” is set to return for 14 performances at the Metropolitan Opera. The production, which opens on Sept. 28, will star Georgian baritone George Gagnidze in the title role. Ukrainian soprano Liudmyla Monastyrska reprises her acclaimed turn as Abigaille which she last sang with the company during the 2016-17 season. {…}
The Konzerthaus Berlin has announced its 2023-24 season. Here is a look at the vocal performances. Martin Lehmann conducts Bach’s “Weihnachts-Oratorium BWV 248 (Teile I-III)” with soloists Marie Luise Werneburg, Henriette Godde, Eric Stoklossa, and Julian Orlishausen. Performance Dates: Dec. 1-3, 2023 Joana Mallwitz conducts a program of music by Brahms Beethoven, and Mahler with soloists Andre Schuen, Bomsori Kim, {…}
The Bayerische Staatsoper has announced a cast change for its production of “Nabucco.” The company said that Ekaterina Semenchik has canceled the complete run of performances of Verdi’s work. The mezzo was set to perform from April 30 to May 9, in a total of four performances. As a result, Liudmyla Monastryska sang the first two and will sing the {…}
Berlin’s Staatsoper Unter den Linden has announced its 2023-24 season. The season will showcase numerous revivals and new productions. Premieres Calixto Bieito directs a new production of Verdi’s “Aida” with Grigory Shkarupa, Elīna Garanča, Ekaterina Semenchuk, Marina Rebeka, María José Siri, Yusif Eyvazov, Ivan Magrì, René Pape, Erwin Schrott, Vladislav Sulimsky, and Alfredo Daza. Nicola Luisotti conducts. Performance Dates: Oct. {…}
The Canadian Opera Company has announced several cast changes for its productions of “Macbeth” and “Tosca.” The company said that Sondra Radvanovsky and Olga Busuioc have withdrawn for personal and health reasons, respectively. As a result, Bulgarian soprano Alexandrina Pendatchanska and Ukrainian soprano Liudmyla Monastyrska will now share the role of Lady Macbeth. Additionally, the Irish soprano Sinéad Campbell-Wallace and American {…}
The final production of the Festival Verdi was “La Forza del Destino,” one of the most difficult of Verdi’s work to present. Aside from its massive cast, the work also requires multiple set changes and an epic landscape. How a director goes about approaching it can be a huge challenge. For the Festival Verdi, they found a great director in {…}
(Credit: Ken Howard/Metropolitan Opera) The Metropolitan Opera is set to revive Puccini’s “Tosca” for 15 performances. The production by Sir. David McVicar, which is set to open on Oct. 5 and run through April 15, 2023, will star Aleksandra Kurzak in the first run of performances alongside Michael Fabiano and Roberto Alagna. They will be joined by John Lundgren in {…}
The Arena di Verona has announced a cast change for the last two performances of “Aida.” The company noted that Liudmyla Monastyrska will no longer sing the title role and will be replaced by Maria José Siri on August 28 and by Monica Conesa on Sept. 4. Siri recently performed in the Arena di Verona’s Placido Domingo gala and in {…}
The Ukrainian Freedom Orchestra will perform in Lincoln Center in two free concerts on August 18 and 19, 2022. The symbolic international Freedom Tour includes recent refugees of the war, members of orchestras in other parts of Europe, and the leading musicians of Kyiv, Lviv, Kharkiv, and Odesa. The Metropolitan Opera and the Polish National Opera brought these musicians together {…}
