Ópera de Colombia 2017 Review – Orphée et Eurydice: Amalia Avilán, Paola Gardina Make Strong Case for Colombia’s Operatic Potential

Gluck’s “Orphée et Eurydice” in many ways can be summed up by the movement of the four seasons – the bloom and beauty of love dashed away by the winter of death, only for spring to bloom yet again in a rebirth of the protagonists. At the Teatro Mayor Julio Santo Domingo, the Ópera de … Continue reading Ópera de Colombia 2017 Review – Orphée et Eurydice: Amalia Avilán, Paola Gardina Make Strong Case for Colombia’s Operatic Potential