Ópera de Colombia 2017 Review – Orphée et Eurydice: Amalia Avilán, Paola Gardina Make Strong Case for Colombia’s Operatic Potential

Gluck’s “Orphée et Eurydice” in many ways can be summed up by the movement of the four seasons – the bloom and beauty of love … Continue reading Ópera de Colombia 2017 Review – Orphée et Eurydice: Amalia Avilán, Paola Gardina Make Strong Case for Colombia’s Operatic Potential