On Feb. 16, the Teatro Real will present the world premiere of “El abrecartas” by Luis de Pablo y Vicente Molina Foix. The work is the final opera by De Pablo and was a passion project for the composer who convinced Foix to adapt the novel of the same name for the opera stage. The result is an opera with {…}
With the Met Opera set to reopen this March with a historic production of “Don Carlos,” it’s time to get to the question of what exactly are the different versions of the opera. We’ve already spent some time on OperaWire exploring that question, but we thought it might be fun to go into some specifics in the quiz format. So {…}
“Opera Meets Film” is a feature dedicated to exploring the way that opera has been employed in cinema. We will select a section or a film in its entirety, highlighting the impact that utilizing the operatic form or sections from an opera can alter our perception of a film that we are viewing. This week’s installment features “Mes Frères et {…}
“Page to Opera Stage” looks at stories – real-life or fiction, old and new – that have inspired operas, and the ways these narratives have been edited and dramatized to fit a new medium. This month, we look at Voltaire’s 18th century satirical novel “Candide”, which inspired Leonard Bernstein’s 20th century masterpiece. The prolific output of French historian, philosopher, satirist, {…}
On Jan. 18, the Teatro San Carlo will finally open its production of “Lucia di Lammermoor” with an all-star cast. The production will feature one of opera’s rising stars Pene Pati, who will make his highly anticipated house debut. The performances will also mark Pati’s role debut as Edgardo, his second of three Donizetti roles this season which will also {…}
On Jan. 6 the New Orleans Opera is set to present “An Homage to Josephine Baker,” an evening that will include Tom Cipullo’s “Josephine” and the world premiere of the ballet “Josephine.” The performances are sold out and are part of New Orleans Opera’s mission to increase access to the art form for all New Orleanians and to produce more {…}
Over the past few weeks we have returned to an old end-of-year tradition, spotlighting some of our standout artists of the year. And we will conclude that series with a return to our spotlight of the year’s best performances. As in the past, we have compiled the efforts of different members of our staff to create a list of our {…}
On Dec. 23, the Maggio Musicale Fiorentino will open a new production of “Fidelio” with an all-star cast. The production will feature some of the best interpreters of the work and some new to his repertoire, none perhaps moreso than Italian soprano Francesca Aspromonte. Following years of singing baroque music, Aspromonte take on Marzelline in Beethoven’s only opera. The role {…}
After a year and a half of limited performances and shut downs, 2021 marked the year during which performers were able to bring their artistry to the stage and to the audiences. And now 2021 is bringing down its curtain. There were so any memorable moments in the year and there were truly some historical performances. Like previous years, OperaWire {…}
